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Stargate
Cipher 2012
Part II
Athens
Olympics, Contact, Life On Mars,
Holy Grail, Ultra Technology
& Mayan Calendar
By Goro Adachi
November 24, 2004
© Goro Adachi
...continued from page
4 of Part 1:
Closing the Loop
As discussed in
Part I, the opening ceremony in Athens was a mesmerizing event both in
terms of visuals and symbolism. The encoded message was so
'multidimensional', however, that there were further 'clues' to
be introduced as part of the secret communication. This, though not
unexpected, became clear two weeks later as the Olympics'
closing
ceremony unfolded on August 29. There the gaps in the
message were filled, completing the special 'Contact transmission'.
I posted the
following commentary on September
7 covering many key points, making it an appropriate place to
start our exploration of the new dimension, the second half of the Athenean
Stargate Cipher:
Lucifer's
Downward Spiral
[Edited throughout for
clarity but no change in content]
To
understand the esoteric aspects of the ending ritual in
Athens,
we need to go back and review the special celestial configuration observed on August
10 which lays the foundation for the rest.
First, Venus
the
'light-bearer' planet was seen crossing the Galactic Equator (i.e. the center line of the Milky
Way, or galactic latitude zero) where Venus became the 'torch' of
Orion. This was accompanied by Mars joining Regulus, the
heart star of Leo the celestial Sphinx.
Venus, when rising in the morning situated precisely due east as viewed
from Giza, coincided additionally with the moment of sunrise (altitude 0
on the horizon)! (Sunrise azimuth = 72 deg.)
A similar configuration
a week earlier (August 3) commemorated the reopening
of the Statue of Liberty, an earthly 'torch bearer'. In Athens' dawn time on August 4, which overlaps New York's August
3 (6-7 hours behind Greece), Venus crossed the heavenly due-east line exactly when Sirius - a star largely interchangeable with Venus in
symbology - was rising right at the horizon.
The 'due east' theme was
amplified by the Aug-10 configuration
alluding to the Great Sphinx, a monument famously facing due
east. The allusion derives from 1) Mars being a form of Horus,
thus also of the Sphinx, and 2) Mars uniting on Aug 10 with
Regulus the heart star of Leo, the lion
constellation interchangeable with the Great Sphinx.
Interestingly
Regulus interacts further with Venus - the planet/goddess of
love - in that love and the heart symbol are traditionally
inseparable.
These
observations then led to the following revelations...
 Venus had been crossing the
due-east line everyday at exactly the same time in
the morning around August, the month of Olympics! As viewed from Athens, for example, Venus
reached due east at about 5:10 am everyday starting around July 25 and
ending around September 8. As viewed from Giza, the daily due-east
alignment took place at ~5:24 am beginning around July 17, ending early September. (Here
is an animated illustration, and here
is an unanimated version.)
The reader needs to
understand that this is highly unusual. Planets are always in motion,
moving at different speeds. In order to stay in one position relative to
Earth's rotation as expressed in the due east sky, a celestial body
has to carefully keep up with the continuously shifting sky
configuration. Staying in one place, as this Venus has been, doesn't
mean it is 'stationary'; it means it is moving at a very
specific rate to maintain its position in the Earth-based local sky.
In other words, its movement can be seen as almost 'intelligent'.
Venus
in this unique way highlighted the time around
August as a special period.
Now
let's see how this context interacts with the symbolism of the closing
ceremony which on its surface was not as flashy as the opening
one though I had no trouble detecting its multi-leveled
'messages'.
The
centerpiece was a strange golden wheat field in the
shape of a spiral, connected by a
long, straight causeway with the Olympic-flame tower standing at the
edge of the stadium.
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This,
I eventually inferred, was a reference to the 'Fibonacci
spiral' - deriving
from something called the Fibonacci squares which in turn are based on
the Fibonacci number sequence.
The Fibonacci
spiral is everywhere in nature - even in the layout of the Giza
monuments  which
I felt was evoked by one of the traditional dances performed
during the show featuring three flames and dancers forming a
semi-circular shape. The term 'pyramid' is
etymologically related to 'fire', so the three flames could signify
Giza's three great pyramids.
The Fibonacci
sequence/spiral is
also related
to phi, known variously as the 'Golden Ratio', 'Golden Mean', etc., numerically expressed by
the ratio 1:1.618... And this reminds us of the golden color of
the wheat spiral - seemingly a subtle confirmation in
effect stating 'yes, this shape does allude to the Fibonacci spiral'.
 Reinforcing
the connection is Venus' traditional symbol, the pentagram,
which encodes phi/Golden
Ratio within in its geometry. And there is the fact that the Olympics began on the
day corresponding to the Golden Section point of the year. The latter
was quite possibly acknowledged by the causeway bridging the
wheat spiral and the Olympic flame,
lit there on the opening day (Aug 13).
The 'Official Guide
to the Closing Ceremony' not only encourages these interpretations, it
insinuates something more. The
Guide (reportedly) states:
The spiral wheat field
was chosen because, in Greek folklore, golden wheat is the
"fruit of the
marriage between the earth and the sun".
In Greek festivities,
"wheat symbolised the fertility of the earth, the
awakening of life that
arises from death".
According to the
Technical Director of the ceremony, "The spiral
represents the notion of infinity,
a
form that frequently recurs in nature. Our galaxy is
spiral in form." [source: 1,
2]
The resurrection
idea relates to our 'birth of
Horus' theme. The earth-heaven connection, and in particular the
galaxy-spiral association, are directly relatable to the underlying 'Venus due east'
alignment in that the Milky Way
(our galaxy) was a key component of the Aug-10 configuration.
Here is the
illustration again (the blue band is the Milky Way):
This
was when Venus crossed the centerline of the Milky Way,
accompanied by a Mars-Regulus
conjunction and Venus reaching Giza's due east at the moment of sunrise...
Well,
the
Milky Way is in reality a starry spiral!
Here we begin to
see another meaning... The Athens spiral's causeway can signify celestial lines such as the Galactic Equator/Meridian
(going through the center of the galaxy) and/or the due-east column highlighted by Venus. Using the latter
example, Venus the 'light-bearer' would be fittingly
represented by the Olympic flame aligned
with the causeway (= due-east line)... A crafty manifestation of
the archaic concept 'as above, so below'! And the
return of Eros
the god of love during the show certainly hinted at the continued relevance of
Venus the goddess of
love.
This
context also sheds some light on the extinguishing of the Olympic
flame...
Before
getting extinguished, a little girl came, procured a piece of the fire,
and carried it away, walking down the steps and along the causeway. The sequence is reproduced below:
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---- 1 ----
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---- 2 ----
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---- 3 ----
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---- 4 ----
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---- 5 ----
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---- 6 ----
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---- 7 ----
She
then blew out the flame like a candle...
No
more light on the tower - symbolic of Venus finally moving away
from the due-east column. Indeed, Venus did just that in early
September merely days after this ritual!
Here is where
things begin to get more 'prophetic'...
Venus'
dismounting of the due-east line coincided with, or overlapped, Hurricane
Frances making landfall in Florida, Sept 4/5 - coming '80 days' after the
ritualistic opening of the film 'Around the World In 80 Days'
(June 16) in which Schwarzenegger plays a minor character. It should
be recalled that the
opening ceremony also came with Hurricane Charley reaching Florida...
And
hurricanes are spirals of wind!
 So
the
removal of the Olympic flame was accompanied by a wheat spiral;
and the
'removal' of Venus was accompanied by Frances, a wind spiral.
Further, the
tradition of the Olympics was resurrected
in modern times by a French
man - as in 'Frances' - and the Statue of Liberty the torch-bearer was a gift from France.
The Statue stands in NYC where the Republican National
Convention was held for four
days beginning 8/30, a day after Athens' closing ceremony.
The seamless succession
suggested a continuation of the
torch ritual. Both,
in fact, carried a '9/11' theme: the Olympics' end date (8/29) calendrically corresponds to 9/11
in that the modern
Gregorian calendar is 13 days ahead of the Julian calendar (already a
key part of the 'Lucifer Time Code'); and the Convention (especially
the first day, 8/30) was all about (exploiting) 9/11. On the second day
in NYC was featured the 'occult'
star of the torch ritual Schwarzenegger, giving a charismatic speech,
who in turn was followed by George Bush's on September 2, only a day or two before the arrival of
Hurricane Frances.
Certainly
the indications were that the 'super torch ritual' made a quick jump
from Athens to NYC.
Indeed,
the connection became startlingly clear on the final day of the Convention
which saw the stage and seats rearranged
specifically for Bush's appearance. Suddenly
there it was. I'll let the pictures speak for themselves:
The
spiral, the causeway, the fireworks... were all there! Even the jumbo screen and
the torch tower were reproduced as shown below (the flame
represented by the Statue of Liberty):
The
reality of the 'ritual' had risen to a new level and at the
same time seemed to
confirm my long-held view that the 'ritual' had much to do with the American presidency, particularly the upcoming
election.
 Next
came the hospitalization of former president Bill Clinton. The
news of his heart problem surfaced on Sept 3, merely a day after Bush's
acceptance speech and right before Hurricane Frances' arrival in Florida.
Clinton began
experiencing discomfort on Sept 2 and had bypass surgery on Sept 6.
Curious
timing... And there is a connection here.
One,
Clinton is a former president and therefore, like Bush, a form of the 'Babylon
leader'/'Sun king' whose 'fall' is a theme associated with the super
torch ritual. Two, he resides in New York City. And three, his wife
Hillary is the senator of New
York.
Next
I scanned the sky over NYC for more clues... And I was amazed. Here too the Venus-due east alignment had been occurring, about
5:30 am EDT every morning around August. While this was expected, I
found extra components added to the mix on September 3-4.
In light of Clinton's heart condition this was very meaningful... and possibly
ominous.
On
Sept 3, the day of Clinton's hospitalization, Regulus the 'heart star'
was seen rising right at the eastern horizon when Venus was
due east (~5:30 am). Immediately above Venus was found Saturn almost
at the due-east point (they did meridionally align precisely the
next day).
Regulus is not only
the 'lion's heart', it's also traditionally a 'kingly' or 'royal' star. So
a former American 'king' having a heart incident on the
day of the 'kingly heart star' crossing the horizon was an 'as above,
so below' event - especially since Venus, which anchors the celestial
configuration, is also a 'heart star' (in that love traditionally signifies the
heart).
But what of Saturn?
This is where we begin to see potentially ominous signs. Saturn after
all is the planet/god of death and time. Combined with the fact that
1) the horizon is symbolically where the realms of life and death
meet, and 2) Venus begins dismounting the due-east column right after
the Sept 4 alignment
with Saturn, there seems to be a message of 'heart failure'
(directly or indirectly) involving 'death'. Even though Clinton's
heart operation on Sept 6 went smoothly, the theme
seems to be still in motion, perhaps counting down to some finality.
The imagery of the little girl carrying
a piece of the fire (= Venus) away from the torch tower (= due-east line) and snuffing
out the original flame now seems to take on a rather dark
connotation. This is probably too speculative at this point - but is
some kind of sacrificial king-killing intimated here?
That
we may be
counting down to something literally or symbolically related to
Clinton's heart problem is perhaps also hinted by the fact
that the fast-moving planet Mercury is getting ready to unite with
Regulus. Mercury traditionally signifies a 'messenger' - and in this
case potentially a messenger of bad news sent from Saturn. Let us
recall that
another former US president Reagan died in early June, becoming a key
part of the 'super torch ritual'. Reagan was known
as the 'Great Communicator' - a perfect epithet for Mercury.
So a
rather heavy context is involved here, though I'm not sure what
it specifically entails.
 The
period of September 8-10 may bring some answers: on Sept 9, Venus (in
the early phase of getting off the due-east column) will vertically
align with a crescent Moon. This is potentially significant because
just such a Moon was displayed during Athens' closing program (though it was
a full-Moon night).
The due-east
alignment is to be much more special at Giza on Sept 8. The alignment
will additionally involve Saturn and the Galactic Center (antipode/anti-center)!
Recall
that the center of the Athenean spiral was aligned with
the torch tower through a causeway
(representing the
due-east line). The wheat spiral viewed as representing the galaxy/Milky Way,
Athens' arrangement would signify an alignment of Venus, due east, and
Galactic (anti-)Center - thus recreating the celestial configuration
above!
Finally, Mercury joins Regulus
on
September 10, completing the delivery of
a message from/for the heart, whatever that might be.
So there you have it. These
findings and observations represent only a small portion of what I've
been able to 'decipher' to various degrees so far.
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Indeed there
was much more
to the symbolism of the closing ceremony. For starters Athens' wheat spiral was an obvious reference to... crop circles!
(See Part 1 for significance of 'crop circles'.) It's more than an insinuation - it's in your face!
Fasten your
seatbelt and let us delve into the rest of the story...
Sun Stone From Heaven
First up is the issue of
the September 8-10 window related to Clinton's heart problem. I wrote:
The imagery of the little girl carrying the fire (= Venus) away from the torch column
(= due-east line) and snuffing out the flame now seems to take on a rather dark
connotation. This is probably too speculative at this point - but is
some kind of sacrificial king-killing intimated here?
On September 11, a
'king' did perish in a suspiciously typical helicopter crash in...
Greece. (Greece's 9/11 overlaps 9/10 US time.) The 'king' was Petros
VII:
 ...the 115th
Pope and Patriarch of Alexandria
and All Africa... was the man widely believed to have been responsible
for the resurgence of the Greek Orthodox Church in Africa.
He was elected
in 1997 to lead the oldest Christian group on the continent, which
traces its origins back to St Mark, who was said to have established
it in the 1st century AD. In the early days of the church, the
influence of the bishop of Alexandria was second only to that of the
Pope in Rome, though it started to wane in the 4th century after the
Roman Empire adopted Christianity as its only religion.
It is significant that he was a Pope
even though not the Pope (of Rome) as my view has long been that the
Papacy and the US presidency are often symbolically interchangeable.
I accordingly commented on Sept 3:
...the extensive
symbolism seems to point to the imminent exit of the Pope...
US presidents belong to our 'Babylon/Sun King' group that
includes the Pope. I have long pointed out that there is a symbolic
parallel between the American presidency and the papacy.
Petros VII, the
head of
the (Greek) Orthodox Church, was one of the three
'Popes' in existence today:
The
heads of the Coptic
Church and the Eastern
Orthodox Church of Alexandria are also called
"Popes" for historical reasons, with the former being
called "Coptic Pope" or "Pope of Alexandria" and
the latter called "Pope and Patriarch of Alexandria and All
Africa"...
 The Greek-ness of Petros VII
certainly resonates with the Olympics theme, underscored by his helicopter
going down after leaving Athens!
The name 'Petros'
(= 'Peter'), meaning 'rock' or 'stone', is also congruent, rendering the event analogous
to a rock falling down from the sky a la the Panspermia/Grail
theme highlighted at the Olympics. Recall that Athena, the patron goddess of Athens, is
traditionally associated with a stone fallen from heaven.
The involvement of a helicopter
is similarly suggestive: 'heli' usually means
'Sun' and 'Copt' would refer to an ancient Egyptian. One of the most
sacred cities in ancient Egypt was Heliopolis, the 'city of the Sun',
where the Benben Stone, the Egyptian version of the 'stone fallen
from heaven', was traditionally worshipped. (The
Benben Stone was typically placed at the top of an obelisk/pillar, very much
like the capstone of the pyramid.) So the fall of Petros VII in a
way reenacted the fall of the Benben Stone or the 'Sun Stone'
(from the sky).
Incidentally Florida is the 'Sunshine State', hit by
Hurricane Charley on Athens' opening day featuring a simulation of the
same Panspermia theme...
Panspermia is the
process of cosmic seeding and as such it is essentially a story of 'Genesis'.
And Petros VII's helicopter crashed on September 11. Putting the
two together yields a virtual 'instruction' encouraging us to look up Genesis 9:11 or
Genesis 11:9 in the Old Testament. Verse 11:9 would be more consistent
with my other findings that involved this type of 'date-verse conversion'
coding, and I was already very familiar with Genesis 11:9 - talking about the Tower of Babel, comparable to the Twin Towers destroyed on 9/11, the modern version of the
archetypal Tower. Here is the scriptural passage:
Therefore
is the name of it called Babel; because the LORD did there
confound the language of all the earth: and from thence did the LORD
scatter them abroad upon the face of all the earth.
 Three
points: 1) the Tower of Babel was built in Babylon - 'Babel'
and 'Babylon' being practically interchangeable terms - where 'the people is one and they have all one language'
(Genesis 11:6); 2) in modern times NYC is the new Babylon, the
ultimate melting-pot city of all races and the home of the United
Nations; 3) the name Babylon/Babel means 'gate of the god'.
The gate of the
god... the 'stargate' theme again. This association is confirmed in Contact (a story about constructing
a 'stargate') since we find that the
enigmatic financier in  the
story who guides Ellie along her path is named 'S.R. Hadden' who in the original novel owns an adult amusement park called 'Babylon'
and his name 'S.R. Hadden' was
a coded reference to Esarhaddon,
King of Assyria from 681 to 669 BC. Assyria like Babylon/Babylonia
was in Mesopotamia now known as Iraq and it was this Esarhaddon who rebuilt
Babylon including the
Esagila (Etemenanki), i.e.
the historical Tower of Babel!
The Tower of Babel
further correlates with the heavenly stone theme in
connection with the so-called 'fallen angels' mentioned in Genesis,
i.e. the 'Nephilim'. In
Isaiah 14:12, it is made evident that the 'fallen
angels' would collectively correspond to Lucifer (Venus): 'How art thou
fallen from heaven, O Lucifer, son of the morning! how art thou
cut down to the ground, which didst weaken the nations!'. With
this in
mind, here are some of my ideas from
2001:
In Genesis, the
cause of the biblical Flood is - rather mysteriously - associated
with 'fallen angels', or 'giants'/'sons of God', more properly
called the 'Nephilim':
There
were giants in the earth in those days; and also after that, when
the sons of God came in unto the daughters of men, and they bare
children to them, the same became mighty men which were of old,
men of renown. And God saw that the wickedness was great in the
earth, and that every imagination of the thoughts of his heart was
only evil continually. And it repented the LORD that he had made
man on the earth, and it grieved him at his heart. And the LORD
said, I will destroy man whom I have created from the face of the
earth...
This is a typical
English translation of Genesis 6:4-7 that contains some errors,
including the last phrase, 'men of renown'. It may be more
accurately [translated] as 'the people of the shem'.
What, then, is the 'shem'? Zecharia Sitchin writes:
The persistence of
biblical translators to employ "name" wherever they
encounter shem has ignored a farsighted study published
more than a century ago by G. M. Redslob… in which he correctly
pointed out that the term shem and the term shamaim
("heaven") stem from the root word shamah,
meaning "that which is highward." (The 12th
Planet, pp.147-8)
The shem was
also [associated] with fire and a stone; the shem thus was
a 'highward fire-stone'. It is... apparently a reference to a meteorite. This is strongly
corroborated by the fact that:
Shems
were particularly associated with something called an-na,
which meant 'heavenly stone', a term that was also used to
define a shining metal. The use of the word shem in respect
of its 'shining' aspect is apparent in the alternative name
for Prince Utu, brother of Inanna… His epithet was Shem-esh:
the Shining One. (Laurence Gardner, Genesis of the Grail
Kings, p.120)
So, what we have here
is this: the shem was a 'heavenly shining fire-stone'
while the Nephilim, i.e. the 'fallen angles' (also called the 'Shining Ones'), were the
'people of the shem'.
The shem also
figures in the tale of the Tower of Babel:
…let us build us a
city and a tower, whose top may reach unto heaven; and let
us make us a shem, lest we be scattered abroad upon
the face of the whole earth.
Again, the shem
is directly associated with heaven, and here it is additionally
linked with the top of a tower – which makes the shem
very much comparable to the Egyptian Benben Stone which too
is thought to have been a meteorite and was placed at the very top
of a pyramid or obelisk. [T]he Babel story
conceptually parallels the saga of the 'fallen angels' who were punished by
'God' for overreaching just as
[were] the
builders of the Tower.
So a chain of symbolic
associations has been established: Petros VII's helicopter
crashing on 9/11, representative of seeding by the Benben Stone, alludes to
'Genesis 11:9' - concerning the Tower of Babel comparable to the Twin
Towers and the stargate theme - which in turn relates back to the heavenly
stone theme again. We certainly detect a coherent underling context
here.
 Further, the word 'tower' is
etymologically related to 'turn'
as discussed before - 'turn' as in the Tour
(turn/tower) de France and as in the turning of Venus, both of which
highlighted Independence/Torch Day (see Part I) thus also
highlighting the
Statue of Liberty in the new Babylon where the Twin Towers stood. Here
we
find that
the term 'Babel' itself, said to mean 'confusion', further implies the notion
of turning/twisting; for example, 'Kablah'
deriving from the Arabic root KBL denotes both 'to twist' and
'confusion'...
On the main 'torch day' of 2004
marking the start of the Olympics (8/13), a system of turning winds called Hurricane
Charley arrived in Florida the Sunshine State. It was the beginning of Florida's
nightmarish hurricane season comprised of unprecedented four major
direct hits in
the short time span of August through September.
Someone, it seemed to many of us, was trying to make
a statement.
A 'message' indeed began to emerge with Hurricane Frances, the
second in the series, making landfall
on September 5 - just days after the end of the Athens Games and
just days before the Petros VII's fall from the sky. Hurricane
Frances, viewed as 'turning Frances', would become an 'in
your face' reference to the 'Tour de France' theme! (The 'French Revolution'
is also hinted here but that's for another time.)
Just three
days later on September 8 - the day marked by the Venus-Saturn-Moon-Galactic
Center-due east alignment at
Giza - came another 'in
your face' signature event.
It was quite remarkable... the coherence and the sheer obviousness of the
'ritual' by NASA, an agency historically built upon Nazi leadership (Wernher
von Braun) and technologies. So much so that it seemed to carry the
message 'if you don't get this,
you just don't get it'.
 The
event was the crash landing of NASA's Genesis
probe returning from the Sun:
It had it all:
'Genesis', the Sun, a heavenly stone, seeding, Contact, 2001, spinning, wind,
Florida, helicopter, DNA, and Mary-Isis-Venus.
 A
probe named Genesis launched in 2001 from Florida
(Cape Canaveral), very much looking like the typical UFO/flying
saucer returning from the Sun after collecting
solar wind samples, came crashing down to earth like a
rapidly spinning heavenly stone on a day marked by a special
celestial alignment involving Venus, although it was supposed
to be picked up by a helicopter in midair. What it was, was a
more realistic manifestation of the same theme expressed at the Athens
opening ceremony!
Indeed, it was
the completion of the process initiated on August 13,
specifically the aspect relating to artificial insemination (AI) -
the Olympic-flame tower being analogous to the medical instrument
used for the insemination procedure, as discussed in Part I.
At the Olympics
the flame signifying the cosmic 'seed' was lit on the AI
tower/instrument but was never overtly injected into the ovum/egg
represented by the Olympic stadium.
The closest it
got was the simulation of a 'comet' striking the lake/stadium at the
very beginning of the show before the flame was on the tower and
when a giant DNA double-helix was projected above the lake, which
while very suggestive did not convey the idea of 'injection' as
symbolically desired by the AI symbolism.
The key to the
riddle here is the date September 8 and the other prominent symbolism
attached to the Olympic-flame tower, the Venus-due east alignment -
i.e. the alignment that ended on Sept 8 as seen from Athens.
This was a very elegant design. The Olympic flame was both the
cosmic seed (or Sun Stone) and Venus in its multi-leveled
symbolism, and so Venus finally dismounting the due-east heavenly
line on Sept 8 (+/- 1 day) was also when the cosmic seed
symbolically moved off the artificial-insemination instrument. And it was on this very day that the Genesis capsule from the
Sun - making
it a 'Sun Stone', a cosmic
seed - got 'injected' into the earth itself, completing the
insemination process!
It will be interesting to see what will come
out of this 'eugenics' ritual after a 9-month 'pregnancy' period.
The projected birth date based on the average human pregnancy
duration would be around June 8, '05 - which
remarkably is the same date marked by this year's Venus Transit,
i.e. the very rare 'marriage' of the Sun and Venus!
Early June '04 was also a period marked by Ronald Reagan's death
and funeral (June 5-11), a death that ritualistically transferred
his 'kingship to Arnold Schwarzenegger. Together with the
Venus-transit symbolism, we could say it was then that Arnold got
'pregnant' with his future 'kingship'. So it seems probable that the
same period in 2005 will interact with Schwarzenegger or at least
the American presidency in some way, especially since Venus in early
June '05 will be crossing the Milky Way (at the Galactic Equator on
June 3) as if to echo the Venus transit in that general
region and Venus crossing the Galactic Meridian on July 11, Reagan's
burial day when Arnold got 'pregnant'.
 Let
me also note that Athens' DNA projection, signifying the messianic bloodline from
Mary-Isis (i.e. the Grail/lapsit
exillis, 'stone fallen from heaven'), interacts with the Genesis
crash via its name:
Holy Grail/Holy Blood
DNA of Mary
Gene of Isis
Gene-Isis
Genesis
And the date: Sept 8 was the feast of the Nativity of
the Virgin Mary.
The Genesis
ritual was also a
Contact/Stargate moment carrying a clear UFO/ET theme and was
entirely fitting and predictable. It was actually amusing to see the mainstream media pushing this very theme
around the time of the Olympics, evident from the following list of
news stories published in early
September:
9/01 CNN:
Space signal studied for alien contact
9/01 BBC:
Alien probe 'best way to find ET'
9/02 Is
strange space signal a sign ET's mother has called back?
9/02 ABC:
(Alien) Message in a Bottle
9/07 CNN:
ET should write, not call
9/09 Space.com:
Does ET Use Snail Mail?
Some of them were treated
as the day's top news items. Here are a couple of screenshots
exposing this strange
behavior:
This next one
from the front page of CNN.com shows the prominence accorded to the Genesis crash on September 8:
Note the link under 'More Top Stories'
titled 'Ivan devastates Grenada', a piece about an incoming
hurricane that would make landfall on September 16, hitting
parts of Florida right after Frances and Charley before that.
Ivan
made 'contact' somewhere between Mobile and Pensacola,
the latter being a place prominently featured in Contact.
Indeed, the
first 'face to face' contact in the story takes place on a
virtual-reality Pensacola beach!
Ivan was
followed by Jeanne, the fourth hurricane to hit Florida on Sept 25. 'Jeanne' is
fittingly a homonym
of 'gene'...
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