Olympics, Contact, Life On Mars,
Holy Grail, Ultra Technology
& Mayan Calendar
By Goro Adachi
November 24, 2004
© Goro Adachi
Genesis Project: Seeding
Let's return the Star Trek theme.
As noted by a couple of Etemenanki readers, Star Trek movies II and III
involve the 'Genesis project', a program
designed to seed life where there is none. The combination we see here
Trek, Genesis, and planetary seeding - reiterates the point that a ritualistic design
was lurking behind the Genesis
probe crash. But it goes
further: the main antagonist in Star
Trek II: The Wrath of Khan, called Khan, is portrayed as a 'former
tyrant of Earth's Eugenic Wars'. Eugenics... bingo - a key
theme from the Athens opening
Now check out the
the Enterprise doomed without warp power, Spock suddenly enters
the starship's radiation chamber to repair the warp drive. McCoy tries
to stop the determined Vulcan, but Spock takes the upper hand and
touches the doctor's forehead cryptically, murmuring
"Remember." Just as the Genesis torpedo explodes, destroying
Khan and the Reliant with it, the Enterprise zips into warp.
The crew and ship have been spared, yet Spock, dying of severe
radiation, has willingly given his own life.
the Enterprise safely away, McCoy tells Kirk to come to the
ship's engine room. There, a stunned Kirk must bid an emotional
farewell to his dearest friend. Kirk need not mourn, says Spock, for
his sacrifice was logical. "The needs of the many outweigh the
needs of the few, or the one" he tells his captain. Spock dies,
but in contrast to a new birth -- the new living star and planet formed
from the nebula and Genesis. A sullen and mournful funeral is
held for Spock, and, accompanied by Scotty playing "Amazing
Grace" on his bagpipes, Spock's coffin is sent to rest upon the
As Spock dies, a
lifeless planet comes alive - a familiar theme of rebirth/resurrection typically expressed by the story of Osiris who was murdered by his
brother Set, resurrected by his sister-wife Isis, and fully returned to
life in the form of his son Horus.
theme is more explicit in the sequel Star
Trek III: The Search For Spock in which Spock is literally resurrected:
and party rescue Spock and Saavik from the Klingons and learn that
an unstable element used in the Genesis Device threatens
the stability of the planet, which is likely to explode
within minutes. One factor of this instability, however, is the rejuvenating
effect it had on Spock's body. With the planet
reaching critical mass, Spock finally achieves the age he was
just before his death on the U.S.S. Enterprise. Kruge,
still alive on the Klingon Bird-of-Prey and angry at the death of
his comrades, beams down to the planet. There, he fights
one-on-one with Kirk, eventually falling to his death. The Enterprise
crew, Saavik, and Spock then escape in the Bird-of-Prey, just as
the planet violently explodes, a victim of its own
constitute an uncomfortably realistic clue as to what is happening
to our own planet right now. Certainly overpopulation is a very serious issue and 'instability' is
an appropriate adjective for our post-9/11, post-Iraq invasion world.
We also detect an implication here, because the Genesis crash has made Earth comparable to the movie's
Genesis-seeded planet, that 'destruction
is coming to Earth soon'.
There is also
the other side of the coin, the 'rebirth' theme, personified by
Horus in ancient Egyptian tradition who in turn is identifiable with
Mars. As one who has been pushing
the idea of man's imminent visitation/migration to Mars being a momentous event analogous to Columbus reaching America,
new chapter for human civilization, what I see here is a 'rebirth' scenario
involving a dying Earth and a Mars coming to life. In a way we are
returning to the place of origin, the realm of Genesis...
For many people
the idea of resurrection immediately brings to mind Jesus, who is essentially
a Christianized Osiris-Horus. The birth (resurrection) of
Horus is the resurrection of Christ. This is something found
encoded in the
Olympics' closing ceremony. As reader 'pjk' pointed out:
You missed the biggest symbolism of the closing ceremony--the
resurrection theme itself. During Orthodox Easter one small
light leaves the petafion--tomb of Christ. That light then lights others, and as
one passes the light on, one says "Christos Anesti!" (Christ is
Risen). The response is "Alithos Anesti (Indeed He is Risen.) Unless you're Orthodox you would have missed it. No one in the stadium missed it!
represents a continuation of the eugenics theme, i.e. light/life/seed being passed
on. The biblical association further confirms the theme's relevance to the Holy Grail - the royal blood
stemming from Jesus and Mary, related to the heavenly stone theme.
The mounting redundancy is a sure sign that the pattern is a valid
Mind Control: Monarch In
significant clue found in the Star Trek associations is the notion
of 'mind control', as for example we find that The Wrath of Khan prominently features
'Ceti' eels capable of mind manipulation. The reader may recall that
I brought up the subject of mind
control in Endgame
V (June '03) as something potentially linked to the Ultra-Tech
in effect alluding to] Nazi 'ultra'-technology. [W]ith the emergence of the CIA in our discussion we are now
encouraged to pay attention to MK-ULTRA,
the agency's infamous mind-control project stemming from
the work of former Nazi scientists. This is quite literally 'ultra
tech' seeded by the Third Reich.
theorized that HAARP and the like are capable of influencing human
behavior - a realistic enough possibility. Some of the films
we've already discussed also involve mind control - namely Total Recall
and The Manchurian Candidate (both associated with
There is however one particular movie not yet discussed - somewhat different but more 'mind blowing' -
that's been brought to my attention by a number of Etemenanki
readers as having great significance in this context - The Wizard of Oz (1939).
The story involves a tornado (echoing Mission To Mars, Set, and
hurricanes) that bridges two different worlds/dimensions like a 'stargate'.
And there is one scene, pictured
below, clearly showing a big yellow spiral looking extremely similar to Athens'
'crop circle'! When I saw the image, I knew - agreeing with the
observant Etemenankians -
that The Wizard of Oz was an integral part of the Contact ritual message.
In the story,
Dorothy - main
character - is swallowed up by the tornado, through which
she enters an alternate reality
called the 'Land of Oz' where she is told by a witch to follow the
'Yellow Brick Road' stemming from the spiral in order to return home
(Kansas). We can view Dorothy as an alter ego of Ellie
Arroway in Contact who similarly travels to a virtual alien world through
a twister-like wormhole in the space-time continuum opened up by a stargate
machine, which is also a theme woven into the Athens opening ceremony. Indeed, on her
otherworldly journey Dorothy encounters various witches, just as the Olympics' opening day Aug. 13 was a day sacred to the
witch-goddess Hecate closely associated with torches. Related
to this also is Contact in one scene showing Halloween, another day associated
with witches. We even find that the name 'Dorothy' means 'gift from God' to resonate with the Olympic
flame representing the ultimate gift given to mankind by its creator
definitely there are connections... And isn't it kind of
heart-warming to see a classic fairy tale finding its way into the Athenean Contact
message? Actually, no. As is often the case, the more fluffy
the appearance, the darker the hidden implications. And it does get
It turns out The Wizard of Oz
has a sinister side that would embolden my speculation regarding MK-ULTRA
as there is a conspiracy theory out there claiming
- not without evidence - that there is an MK-ULTRA offshoot called 'Project Monarch'
that employs the Oz
story as a tool to mind-control the 'chosen' - usually said to be abused -
children, turning them into 'Monarch slaves'.
According to Cathy
O'Brien, described as a successfully deprogrammed former Monarch slave
horrible life story is told in her book, Project Monarch operates like this:
Identity Disorder ~ DID (formerly termed Multiple Personality
Disorder) is the mind's sane defense to an insane situation.
It is a way of dealing with trauma that is literally “too
horrible to comprehend”. Incestuous rape violates primitive
instincts and surpasses pain tolerance. By compartmentalizing the
memory of such horrendous abuse, the rest of the mind can function
"normally" as though nothing has happened. This
compartmentalization is created by the brain actually shutting down
neuron pathways to a specific part of the brain.
These neuron pathways are triggered open again when the abuse
recurs. The same part of the brain that is already conditioned to
the trauma deals with it again-and-again as needed. [...]
Project Monarch mind control operation was then, as now
"recruiting" multigenerational incest abused children
with Dissociative Identity Disorder for its ”genetic mind
control studies". I was a prime "candidate", a
"chosen one". [...]
researchers involved in MK Ultra Project Monarch knew about
the photographic memory aspect of MPD, as well as other
resultant "super human" characteristics. Visual
acuity of an MPD is 44 times greater than that of the average
person. My developed and unusually high pain threshold plus
compartmentalization of memory were "necessary" for
military and covert operations development. [...]
father seized the opportunity as it would provide him immunity
from prosecution. He was hurriedly flown to Boston for a two week
course on how to raise my brother and I for this off-shoot of
MK Ultra, Project Monarch. [...] My Uncle Bob helped my father
decorate my bedroom in red, white and blue paneling and American
flags. He provided assistance in scrambling my mind according to
Project Monarch methodologies. This was to confuse fantasy with
reality when it came to fairy tale themes, particularly Disney
stories and the Wizard of Oz, which laid the base for
As I said,
The issue of
photographic memory and the notion of 'super human' remind us of Schwarzenegger who is a Hollywood-made 'superman' associated with
'Total Recall' - 'total recall' being synonymous with photographic
memory. And again, The
Manchurian Candidate was released just this year on Arnold's birthday (July
30) shortly before the
more on the Oz connection:
majority of my programming was Oz-theme based. This means the
combination of codes, keys and triggers to access me were related
to L. Frank Baum's story The Wizard of Oz. Whether or not
it was Baum's intention, it is evident that his psychologically
intense story was used for manipulating minds. Much of The
Wizard of Oz lends itself to themes commonly used by
perpetrators. For example, nearly all Multiple Personality
Disorders (MPDs) have suffered the loss of pets during
ritualized torture. And all of Dorothy's nightmarish experiences
"over the rainbow in Oz" stemmed from her desire to risk
her own life to protect her threatened pet. Abusers use this
lesson to condition the victim to drop all resistance and
cooperate or "I'll get you, my pretty, and your little dog
(or child) too." The "over the rainbow" scramble of
dreams vs. reality provides abusers with a theme by which to
manipulate an MPD's subconscious perception of switching
personalities. Oftentimes this theme is used to suggest a trans
dimensional experience like that of Oz so that a victim will
perceive the experience as "just a bad dream" like
Dorothy was told upon her awakening in her own bed back in Kansas.
be true? We almost find ourselves hoping it's not, but
there seem to be enough smoke to suggests some kind of
fire out there. A particularly intriguing clue I've found
in this direction is the film The Butterfly Effect
released January this year.
there is the 'butterfly' association - as 'Monarch' is presumably
a reference to the Monarch
butterfly (see picture).
the storyline: although 'the butterfly effect' ostensibly refers to
an aspect of
'chaos theory' that states 'small
variations in the initial conditions of a dynamical system can
produce large variations in the results', the
story deals more with
abnormal behaviors exhibited
by the mind/memories. The plot
outline sounds suspiciously familiar:
young man (Kutcher) blacks out harmful memories of significant
events of his life. As he grows up he finds a way to remember
these lost memories and a supernatural way to alter his life.
Blacking out disturbing
memories is the very process exploited by the trauma-based mind
programming method, i.e. Project Monarch. The unexpectedly dark
story from Hollywood involves incestuous sexual abuse, pet
killing, and prostitution... These are all key elements of the
Effect is also a story about time travel thus confirming the
stargate-mind control connection. The original scenario used by the 'butterfly
effect' theory adds another level of interconnectivity:
Lorenz first analyzed the effect in a 1963 paper for the New York
Academy of Sciences. According to the paper, "One
meteorologist remarked that if the theory were correct, one flap
of a seagull's wings would be enough to alter the course of the
weather forever." Later speeches and papers by Lorenz
used the more poetic butterfly, possibly inspired by the
1952 Ray Bradbury short story A Sound of Thunder. In that
story, a time traveller accidentally steps on a butterfly
in the distant past, causing broad changes in the present. A
common description of the effect says that a butterfly flapping
its wings in Brazil can cause a tornado in Texas months
Altering weather... Tornado...
Can you say HAARP? Florida hurricanes? The Wizard of Oz? It's
Now, in light of the newly
introduced context of mind-control, what are we to make of
one came on Sept 2, merely days after the Athens spiral (Aug 29) and Schwarzenegger's
charismatic national convention speech (Aug 31). This 'twister' was
set up only for George W. Bush on the final day of the convention...
It is almost
as if we are to view Bush as a 'Dorothy' or a 'Manchurian Candidate'
- i.e. a mind-programmed 'monarch'.
Perhaps it's not
so literal; it may
well have been just a way of attaching the notion of a 'monarch' (president) to the twister theme so as to amplify the Project
Monarch allusion. Or it may well have been a foreshadowing,
a 'prophecy', announcing the rise of a real 'Monarch' underway...
should take into consideration, however, the fact that Cathy O'Brien
Dick Cheney, along with Bush Sr., as one of the brutal Monarch
handlers/programmers. The story related is so appalling, even
for Cheney, that I'm frankly not sure how credible her claim is. But
if there is
some truth to it, then we can't help but wonder if George W's apparent subservience
to the Vice President has something to do with mind programming.
Well, who knows.
What I feel is more important is the potential implication of this kind
of mind-control operation (or psyops) being used against the entire
US population. Remember, we are talking about a trauma-based
mind-control method. What is Bush-Cheney's America but a
trauma-driven nation? The events of 9/11 psychologically traumatized
American people - no one disputes that. And there is no question
that the Bush administration has invoked 9/11 again and again and again
and again to program and trigger the trauma-driven mentality.
Then in the spring of 2004
came the gruesome videos showing
Americans and others getting beheaded. Scenes so violent they were
sure to psychologically traumatize anyone who watched them. I would
compare this to the pet-killing
ritual of Monarch. The same period also brought the US a sense of profound
national shame - the Iraqi prison torture scandal. It came right
after the release of a 2-hour torture film
called The Passion of the Christ, deliberately designed to
shock people, especially the religions ones. Its video/DVD came out
31, the day of Schwarzenegger's speech in NYC...
and Bush took their turns at the RNC following Arnold (Sept
1 and 2 respectively), another shocking event unfolded
in Beslan, Russia. This was a school hostage situation ending disastrously,
leaving hundreds of children dead and others at least tortured
(i.e. physical and psychological suffering). Also
disturbing in this case were the images coming through the media
that were subtly moving in
the direction of child pornography - see these pages on CNN
for example. It just seems to get sicker and sicker.
Torture is of course an essential
component of the trauma-based mind-programming methodology. Accordingly we see
more and more people acting as if they are robots responding mindlessly
to commands coming from authority figures, particularly the
Nazi-like radical rightwing propaganda network (helped by the
subservient and useless left counterpart), closely tied to the Texas oil-energy forces pulling
political strings with their oily fingers. Fitting, therefore, that
in Terminator 3: Rise of the Machines, the 'mind' of
Schwarzenegger's Terminator character gets reprogrammed by
the Terminator 'TX'. As I wrote earlier:
'TX' designation conjures up 'Texas', the official abbreviation of
which is in fact 'TX'. Many scenes in the film are very Texas-like
to underscore the connection.
cannot be missed that Texas represents the political 'Ground Zero'
in the post-9/11 period under the Bush presidency. Both Bush and
Cheney are from Texas and have done shady dealings with corrupt
Texas energy/oil corporations like Enron and Halliburton. Without
Texas there probably would have been no Iraq invasion or even
9/11. Schwarzenegger has a shadowy Texas connection as well - a
connection seemingly acknowledged in T3 as he utters 'TX
fact is, Arnie's rise in California politics has much to do with the
state's disastrous energy situation (massive blackouts etc.) which
in turn was driven by the corrupt practices of Texas energy
companies, particularly Enron.
Both in T3
and Total Recall, Arnold's character ends up fighting against
his handlers... which is very interesting and may hint at what he would do once installed in the White House. Should this
scenario play out in real life, his Antichristic or Beast-like role would end up transforming into
one we might call the
'Last Action Hero' who defeats the insidious 'TX' cabal. Something
to keep in mind in the coming years as events unfold.
The 'endgame' began
on 9/11. There is a growing perception even inside the US that the official
explanation of 9/11 is just one big fabrication. A large and growing
of evidence suggests that a rogue faction in/behind the US government
and military-industrial complex was behind the trauma-inducing events. In his new
Crossing the Rubicon, respected independent investigator/journalist Michael C. Ruppert
(of From the
Wilderness) even names Dick Cheney as a 9/11 mastermind. On his website
attacks of September 11th, 2001 were accomplished through
an amazing orchestration of logistics and personnel. Crossing the
Rubicon discovers and identifies the key suspects and persons of
interest - finding some of them in the highest echelons of
American government - by showing how they acted in concert to
guarantee that the attacks occurred and produced the desired
two and a half years of research and writing, Ruppert said:
my new book I will be making several key points:
I will name Vice President Richard Cheney as the prime
suspect in the mass murders of 9/11 and will establish that,
not only was he a planner in the attacks, but also that on the day
of the attacks he was running a completely separate Command,
Control and Communications system which was superceding any orders
being issued by the FAA, the Pentagon, or the White House
I will establish conclusively that in May of 2001, by presidential
order, Richard Cheney was put in direct command and control
of all wargame and field exercise training and scheduling through
several agencies, especially FEMA. This also extended to all of
the conflicting and overlapping NORAD drills -- some involving
hijack simulations -- taking place on that day.
I will also demonstrate that the TRIPOD II exercise being set up
on Sept. 10th in Manhattan was directly connected to Cheney's
role in the above.
4. I will also prove conclusively that a number of public
officials, at the national and New York City levels, including
then-Mayor Rudolph Giuliani, were aware that flight 175 was
en route to lower Manhattan for 20 minutes and did nothing to
order the evacuation of, or warn the occupants of the South Tower.
One military officer was forced to leave his post in the middle of
the attacks and place a private call to his brother - who worked
at the WTC - warning him to get out. That was because no other
part of the system was taking action.
I will also show that the Israeli and British
governments acted as partners with the highest levels of the
American government to help in the preparation and, very possibly,
the actual execution of the attacks."
clues are there. The subtitle of Ruppert's book is The Decline of
the American Empire at the End of the Age of Oil to paint a
picture paralleling my own view - that the United States as we know it is about
to be terminated (already in the process) and the 'torch' of the New
World is being passed on to Mars. Even Cathy O'Brien's book
concerning Project Monarch carries a similarly suggestive title: 'TRANCE Formation of America'...
In this light the unprecedented event of
having a series of four major 'spirals of wind' hitting
Florida - a state governed by Bush's brother - starts to hint at a mass mind-control operation
being conducted against the
American populace. It is only fitting that there is a significant
overlap between weather-manipulation and mind-manipulation
Exit the Matrix - Mayan Final
who are continuing to resist the media-assisted
psyops in the United States can clearly perceive the nation
entering an 'alternate reality' based on lies, arrogance, fear, and denial. When the
mainstream media keep feeding people unbalanced and heavily filtered
information, it gets very difficult to not have a very skewed worldview.
Control the information flow, and you control the people. Just look
at what the Nazis were able to achieve with their bold propaganda tactics
of 'big lies' (or 'shock and awe'). You don't have to go high-tech to carry
out effective 'mind control' operations.
Well-coordinated networking is
often all you need to
create a false reality for the lowly populace. When the government and the
corporate media are on the same side opposite the general public,
'reality' is easily what they decide it is. Americans today are kept in a bubble, surrounded by
cleverly crafted illusions. Clearly it is by design that the US finds itself increasingly out of step
with the rest of the world.
now have a convenient term for describing the situation -
'the Matrix'. It's a great metaphor provided to us by the the
popular 'The Matrix' movie trilogy. And it seems only natural that
Matrix itself is found a lot of metaphoric references to The
Wizard of Oz and Alice in Wonderland.
naming and concept of
'the Matrix' apparently came from a four-episode serial on the British science-fiction
television series Doctor Who, called The
Deadly Assassin (1976). This relates back to the Monarch project
designed among other things to create sleeper assassins
who can be 'triggered' into action. Additionally The Matrix's
of machines vs. humans closely follows Schwarzenegger's Terminator
Another word interchangeable with 'illusion' or 'the Matrix'
is 'Maya' of Hinduism and Sikhism:
modern concept that illustrates Maya/Illusion wonderfully
is the Sci-Fi Movie "The Matrix". Everything in
The Matrix is believed to be real, until the character Neo wakes
up, and sees that it's just a dream world. One who is asleep never
knows he is until he wakes up.
is popularly known for being the name of a mysterious
Mesoamerican civilization. Not only did the ancient cultures of Mesoamerica - Maya, Aztec, etc. -
inhabit areas straddling the hyperdimensional latitude 19.5 N, they
used planet Venus as a key component in their famously sophisticated time-keeping system,
which tells us there is
something worth investigating here.
These days the Mayan culture is
attracting more and more attention thanks of course to '2012', now looming
right around the corner - i.e. the 'end date' marked by the
Venus-driven Mayan calendar. It's important to note again that the year 2004 is celestially stressed by the Transit
of Venus, the rare union of the Sun and Venus - a phenomenon
that occurs in
pairs every 100-120 years. The last pair was in 1874 and 1882, and the
latest pair in 2004 and... you guessed it, 2012.
implies that the 'super torch ritual' of 2004 involving themes of Contact, stargate, Mars, Genesis, heavenly
seeding, etc. were designed to interact with the year 2012, making 2004 a point in the spiral of time
vertically aligned with the Mayan 'end date'. The sense of design
dramatically increases when added that the start date of the ('Long
Count') Mayan calendar is widely thought
to be either August 11 or August 13, 3114 BC - 'August 13' being the date
marked this year by the opening of the Olympics.
(August 13 is important even
to the Aztec/Tenochtitlán calendar for which August 13, 1521 is one of
the two dates widely used to correlate it with the western Julian
calendar.) It's also ritualistically noteworthy that '3114 BC' would
turn into 3-11-04, the date of the Madrid train bombings involving the world's
only Lucifer (= Venus) statue, 'prophesied' by the
'Terminator Code' as discussed earlier.
this emerging big picture, the earlier 'Sun Stone' (= heavenly
stone) theme highlighted by the successive 'falling from the sky'
events of Pope
Petros VII and the Genesis spacecraft would morph into a gateway
connected to a whole
new complex of 'signs' indirectly showing us what we're facing at this momentous point
one of the most striking crop circles in 2004 - created on August 2-3
Silbury Hill near Beckhampton, Wiltshire in England - was what we
may call a 'Sun Stone' crop circle!
by the 'Crop Circle Connector' website, the mesmerizing
formation looked very 'Aztec':
or whatever, is responsible for the August 2 to 3, 2004, crop
formation at Silbury Hill, the design in its border is a mirror
image of a rare statue of the Aztec God, Xochipilli, The
Prince of Flowers, Maizes, Love, Games, Beauty, Song and
Dance. Xochi means 'flower,' while pilli means
either prince or child. In the mid-1800's, a 16th century
Aztec statue of Xochipilli was unearthed on the side of the
volcano Popocatapetl near Tlamanalco, Mexico. The statue is of a
single figure seated upon a temple-like base.
key things here: 1) Xochipilli being
a god of love and games makes it relatable not only to Venus but
also to Eros - the male god of love - who played such a major
role in the open ceremony at the Athens Games; 2) Xochipilli
being literally 'flower prince' makes it relevant to Florida and
its ritualistic hurricanes ('winds circles') since 'Florida' is a Spanish adjective meaning 'flowery'.
Next, the crop
circle appearing on August 3 (started on August 2 and completed the next day)
has the function of reinforcing the above associations:
ultimate 'torch bearer' Statue of Liberty, closed to the public
after 9/11, reopened
on August 3.
the 'torch star' was situated inside the band of the Milky
Way (i.e. our spiral galaxy) at the 'torch'
region of Orion (making the constellation an analogue of the Statue of
of August 4 in Athens, overlapping New York's August 3 (6-7 hours behind Greece), Venus
crossed the heavenly due-east line exactly when Sirius
- a star symbolically interchangeable with Venus - was
rising at the horizon. Venus at this special moment was approximately 33 degrees (32.67 degrees)
above the local horizon - '33' being a well known Masonic
'ritual' number (and the number of the Nile's 'anchor meridian',
33E, in my Time River Theory).
there is enough here to suggest to us that the 'Aztec crop circle'
was another key piece of the 'alien message' puzzle driven by the 'super torch ritual'.
up is the elevated significance accorded to the 'Sun Stone' theme. The combination of
1) the Aztec culture, 2) the circular nature of the crop glyph, and
3) the Mayan
calendar theme in the background together evokes the famous Aztec
On the Crop Circle Connector page
the Aztec name for the huge basaltic monolith is Cuauhxicalli Eagle
Bowl, but it is universally known as the Aztec Calendar or
Sun Stone. It was during the reign of the 6th Aztec monarch in 1479 that
this stone was carved and dedicated to the principal Aztec deity:
the sun. The stone has both mythological and astronomical
significance. It weighs almost 25 tons, has a diameter of just under
12 feet, and a thickness of 3 feet.
the Aztec Calendar is widely known as the 'Sun Stone'!
let's go back to the 'Sun Stone' ritual carried out by NASA on Sept
8, i.e. the 'Contact' moment when heaven and earth were united as the
space capsule returning from the Sun crashed into the Utah desert.
On the same day was produced a due-east alignment of Venus, Saturn, Moon,
and Galactic anti-center as seen from Giza where stands the
Great Pyramid missing its capstone/Benben Stone - the 'Genesis seed'
- analogous to the 'Sun Stone'. The symbolic implication being that
the pyramid's missing 'Sun Stone' returned from the sky in the form
of the Genesis capsule.
probe's mission was about bringing back the 'winds' of the Sun
(solar wind samples). The
solar wind - charged particles, or ions, spewed by the Sun - has
much to do with the 'sunspot' activity driving solar flares and
coronal mass ejections which in turn affect the earth's magnetic
field and cause the aurora phenomenon near the polar regions. Every 11 years
the Sun reaches a 'solar maximum', i.e. when the number of
sunspots peaks or when the Sun is the most active. This is known as
the sunspot cycle; it's the state of the Sun or... the 'sunshine
state', as in Florida - the state hit by four major hurricanes or...
winds! (So the Florida hurricanes were symbolically 'solar
winds', hinting at the importance of the 'state of the Sun'.)
previous peak, that of 'Cycle 23', officially came in 2001, the year of
9/11. As well known, 9/11 produced a lot of
'11's, starting with the 11-shaped Twin Towers, having 110
floors, getting hit on the 11th day of the month by two
planes the first of which was Flight 11, and such. Now with
the persistent 'Sun Stone' theme alluding to the sunspot cycle, it
becomes highly suggestive that the next sunspot peak, exactly 11
years from 2001, will mark 2012, the Mayan end date! This
connection is reinforced by Maurice M. Cotterell's theory presented in The Mayan
Prophecies (1995, co-written with Adrian Gilbert) showing that
the strange rhythm of the Mayan calendar - which is a more
sophisticated 'cousin' of the Aztec calendar - coherently interacts
with the complex cycles of the solar magnetic fields.
here comes the punch line: it's already been claimed, quite
convincingly, that the 'Aztec crop circle' is a coded calendar pinpointing the year... 2012!
On the Crop
Circle Connector webpage
is featured the following analysis done by one 'C. Lewis' making the
design encodes a 'Mayan calendar' sequence, counting down to 'time zero':
Calendar Clock [some emphasis added/removed]
new Silbury crop-picture takes 'crop messages' to a new level!
Anyone can see that it encodes some kind of important message,
relevant to ancient Mayan-Aztec prophecy.
So I spent several days learning Mayan-Aztec
calendar systems, and now believe that the interpretation is
unique and straightforward. It seems to be just a large
"calendar clock", with time shown in four different
units (analogous to days, hours, minutes or seconds) along the
outside, plus a 'moving clock mechanism' in the center.
Both 'inner hands' tell us that we lie precisely (52 /
6) = 8.67 years from the end of the 'Fourth Sun' in 2012.9, where
2004.6 (August) + 8.67 = 2012.9 (almost). The same picture would
have had to be drawn in February 2004.2 to be perfectly accurate
(no crops were growing then).
Aztecs and Mayans used three different calendar
systems with 260, 360 or 365 days per year, but the crop-artist
for simplicity drew everything in 360-day 'years'.
Outer dial of the clock: 4 shaded areas represent 5200
years each, and symbolize four previous or current
"Suns", just as for the Calendar Stone in Mexico.
10 outer boxes per Sun
(over any 90 degree quadrant, with
boxes 1 and 2 always shaded) represent 520 years each.
10 inner boxes per Sun (again over any 90 degree quadrant)
represent 52 years each (the most fundamental Mayan unit of
time covered 52 years, as the convergence of 365 and 260-day
Finally, because we lie so close to 2012.9, the crop-artist added
a feature not present in Mayan-Aztec culture: he/she divided the
two inner-boxes closest to any shaded region into finer divisions
of (52 / 6) = 8.67 years, by means of (2 x 3) =6 fine-lines.
Now both "hands of the clock" point precisely to the
last fine line before any shaded region, meaning that we lie
today "8.67 years from the end of the Fourth Sun".
Inner hands of the clock: two 'bundles' of 20 fine lines
[ed. note: actually there are only 19 fine lines, but the number
would remain 20 if the attached curved line is counted - Goro] tell us that we are working in Mayan-Aztec mathematics. For
most historical dates or 'long count', the Mayans or Aztecs used powers
of 20: for example 20 days per month, 20 years, 20 x 20 years,
20 x 20 x 20 years.
Thus within any 'Sun' of 5200 years (as shown four times on the
outer dial), we find 13 x 20 x 20 = 5200 years calculated in
another way, and sometimes represented as 13.0.0.
Looking again at the inner hands, we see however only (2 x 6) = 12
thick curves above and below: signifying 12.0.0, and
indicating that 13.0.0 is near.
[Ed. note: As before, if the bundle of 19 fine lines are counted
together with the curved lines, the total number would be 14 (i.e.
7 x 2); the bundle counted as only half a line because of the
irregularity, thus representing 0.5, the total number would be 13
(i.e. 6.5 x 2), as in '184.108.40.206.0' or the end/completion. Applying
this to the earlier case, we would have '19.5' as the number, thus
seemingly alluding to the tetrahedral/hyperdimensional/stargate
angle. - Goro]
Summary: Two different Mayan-Aztec calendar schemes are
encoded in the diagram, leaving no possibility for error.
The outer dial counts time as 52 x 10 x 10 =5200, and uses
a set of six fine lines near any shaded area for greater accuracy,
namely 52 / 6 = 8.67. [ed. note: the significance here being that subtracting '8.67' years from the Mayan end date of Dec. 21, 2012
brings us to 2004, i.e. when the crop circle was created. - Goro]
The inner hands count time as 12 x 20 x 20 or 12.0.0, since
13 x 20 x 20 = 13.0.0 = 5200 has not yet been reached. [ed. note:
or as I've noted, the inner hands can easily be interpreted
as signifying 220.127.116.11.0 - Goro]
Because the information provided in both parts is redundant,
we can be sure that the interpretation is correct. In other words,
"the end of the Fourth Sun is near and on schedule".
An incredibly clever scheme of pictorial mathematics.
far as I can tell, the above analysis is internally
consistent (though shaky in some areas) and makes a strong case for the crop
formation being a reference to the Mayan Calendar and
fact that mainstream news organizations like BBC ran a story
on this otherworldly creation just a day before the
opening of the Olympics (Aug 12), discussing its Mayan nature,
speaks volumes about its intended significance.
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