Stargate Cipher 2012: Part 2 (2/3)

Let's return the Star Trek theme. As noted by a couple of Etemenanki readers, Star Trek movies II and III involve the 'Genesis project', a program designed to seed life where there is none. The combination we see here - Star Trek, Genesis, and planetary seeding - reiterates the point that a ritualistic design was lurking behind the Genesis probe crash. But it goes further: the main antagonist in Star Trek II: The Wrath of Khan, called Khan, is portrayed as a 'former tyrant of Earth's Eugenic Wars'. Eugenics... bingo - a key theme from the Athens opening ceremony.

Now check out the ending:

With the Enterprise doomed without warp power, Spock suddenly enters the starship's radiation chamber to repair the warp drive. McCoy tries to stop the determined Vulcan, but Spock takes the upper hand and touches the doctor's forehead cryptically, murmuring "Remember." Just as the Genesis torpedo explodes, destroying Khan and the Reliant with it, the Enterprise zips into warp. The crew and ship have been spared, yet Spock, dying of severe radiation, has willingly given his own life.

With the Enterprise safely away, McCoy tells Kirk to come to the ship's engine room. There, a stunned Kirk must bid an emotional farewell to his dearest friend. Kirk need not mourn, says Spock, for his sacrifice was logical. "The needs of the many outweigh the needs of the few, or the one" he tells his captain. Spock dies, but in contrast to a new birth -- the new living star and planet formed from the nebula and Genesis. A sullen and mournful funeral is held for Spock, and, accompanied by Scotty playing "Amazing Grace" on his bagpipes, Spock's coffin is sent to rest upon the new planet.

As Spock dies, a lifeless planet comes alive - a familiar theme of rebirth/resurrection typically expressed by the story of Osiris who was murdered by his brother Set, resurrected by his sister-wife Isis, and fully returned to life in the form of his son Horus.

The theme is more explicit in the sequel Star Trek III: The Search For Spock in which Spock is literally resurrected:

Kirk and party rescue Spock and Saavik from the Klingons and learn that an unstable element used in the Genesis Device threatens the stability of the planet, which is likely to explode within minutes. One factor of this instability, however, is the rejuvenating effect it had on Spock's body. With the planet reaching critical mass, Spock finally achieves the age he was just before his death on the U.S.S. Enterprise. Kruge, still alive on the Klingon Bird-of-Prey and angry at the death of his comrades, beams down to the planet. There, he fights one-on-one with Kirk, eventually falling to his death. The Enterprise crew, Saavik, and Spock then escape in the Bird-of-Prey, just as the planet violently explodes, a victim of its own dangerous growth.

This may constitute an uncomfortably realistic clue as to what is happening to our own planet right now. Certainly overpopulation is a very serious issue and 'instability' is an appropriate adjective for our post-9/11, post-Iraq invasion world. We also detect an implication here, because the Genesis crash has made Earth comparable to the movie's Genesis-seeded planet, that 'destruction is coming to Earth soon'.

There is also the other side of the coin, the 'rebirth' theme, personified by Horus in ancient Egyptian tradition who in turn is identifiable with Mars. As one who has been pushing the idea of man's imminent visitation/migration to Mars being a momentous event analogous to Columbus reaching America, a new chapter for human civilization, what I see here is a 'rebirth' scenario involving a dying Earth and a Mars coming to life. In a way we are returning to the place of origin, the realm of Genesis...

For many people the idea of resurrection immediately brings to mind Jesus, who is essentially a Christianized Osiris-Horus. The birth (resurrection) of Horus is the resurrection of Christ. This is something found encoded in the Olympics' closing ceremony. As reader 'pjk' pointed out:

You missed the biggest symbolism of the closing ceremony--the resurrection theme itself. During Orthodox Easter one small light leaves the petafion--tomb of Christ. That light then lights others, and as one passes the light on, one says "Christos Anesti!" (Christ is Risen). The response is "Alithos Anesti (Indeed He is Risen.) Unless you're Orthodox you would have missed it. No one in the stadium missed it!

This also represents a continuation of the eugenics theme, i.e. light/life/seed being passed on. The biblical association further confirms the theme's relevance to the Holy Grail - the royal blood stemming from Jesus and Mary, related to the heavenly stone theme. The mounting redundancy is a sure sign that the pattern is a valid one.

Mind Control: Monarch In Whirlwind

Another significant clue found in the Star Trek associations is the notion of 'mind control', as for example we find that The Wrath of Khan prominently features 'Ceti' eels capable of mind manipulation. The reader may recall that I brought up the subject of mind control in Endgame V (June '03) as something potentially linked to the Ultra-Tech symbolism:

...the phrase 'Ultra-Tech' [was in effect alluding to] Nazi 'ultra'-technology. [W]ith the emergence of the CIA in our discussion we are now encouraged to pay attention to MK-ULTRA, the agency's infamous mind-control project stemming from the work of former Nazi scientists. This is quite literally 'ultra tech' seeded by the Third Reich.

It's been theorized that HAARP and the like are capable of influencing human behavior - a realistic enough possibility. Some of the films we've already discussed also involve mind control - namely Total Recall and The Manchurian Candidate (both associated with Schwarzenegger). There is however one particular movie not yet discussed - somewhat different but more 'mind blowing' - that's been brought to my attention by a number of Etemenanki readers as having great significance in this context - The Wizard of Oz (1939).

The story involves a tornado (echoing Mission To Mars, Set, and Florida hurricanes) that bridges two different worlds/dimensions like a 'stargate'. And there is one scene, pictured below, clearly showing a big yellow spiral looking extremely similar to Athens' 'crop circle'! When I saw the image, I knew - agreeing with the observant Etemenankians - that The Wizard of Oz was an integral part of the Contact ritual message.

In the story, Dorothy - main character - is swallowed up by the tornado, through which she enters an alternate reality called the 'Land of Oz' where she is told by a witch to follow the 'Yellow Brick Road' stemming from the spiral in order to return home (Kansas). We can view Dorothy as an alter ego of Ellie Arroway in Contact who similarly travels to a virtual alien world through a twister-like wormhole in the space-time continuum opened up by a stargate machine, which is also a theme woven into the Athens opening ceremony. Indeed, on her otherworldly journey Dorothy encounters various witches, just as the Olympics' opening day Aug. 13 was a day sacred to the witch-goddess Hecate closely associated with torches. Related to this also is Contact in one scene showing Halloween, another day associated with witches. We even find that the name 'Dorothy' means 'gift from God' to resonate with the Olympic flame representing the ultimate gift given to mankind by its creator god Prometheus.

So definitely there are connections... And isn't it kind of heart-warming to see a classic fairy tale finding its way into the Athenean Contact message? Actually, no. As is often the case, the more fluffy the appearance, the darker the hidden implications. And it does get intensely disturbing...

It turns out The Wizard of Oz has a sinister side that would embolden my speculation regarding MK-ULTRA as there is a conspiracy theory out there claiming - not without evidence - that there is an MK-ULTRA offshoot called 'Project Monarch' that employs the Oz story as a tool to mind-control the 'chosen' - usually said to be abused - children, turning them into 'Monarch slaves'.

According to Cathy O'Brien, described as a successfully deprogrammed former Monarch slave whose horrible life story is told in her book, Project Monarch operates like this:

Dissociative Identity Disorder ~ DID (formerly termed Multiple Personality Disorder) is the mind's sane defense to an insane situation. It is a way of dealing with trauma that is literally “too horrible to comprehend”. Incestuous rape violates primitive instincts and surpasses pain tolerance. By compartmentalizing the memory of such horrendous abuse, the rest of the mind can function "normally" as though nothing has happened. This compartmentalization is created by the brain actually shutting down neuron pathways to a specific part of the brain.

These neuron pathways are triggered open again when the abuse recurs. The same part of the brain that is already conditioned to the trauma deals with it again-and-again as needed. [...]

This Project Monarch mind control operation was then, as now "recruiting" multigenerational incest abused children with Dissociative Identity Disorder for its ”genetic mind control studies". I was a prime "candidate", a "chosen one". [...]

Government researchers involved in MK Ultra Project Monarch knew about the photographic memory aspect of MPD, as well as other resultant "super human" characteristics. Visual acuity of an MPD is 44 times greater than that of the average person. My developed and unusually high pain threshold plus compartmentalization of memory were "necessary" for military and covert operations development. [...]

My father seized the opportunity as it would provide him immunity from prosecution. He was hurriedly flown to Boston for a two week course on how to raise my brother and I for this off-shoot of MK Ultra, Project Monarch. [...] My Uncle Bob helped my father decorate my bedroom in red, white and blue paneling and American flags. He provided assistance in scrambling my mind according to Project Monarch methodologies. This was to confuse fantasy with reality when it came to fairy tale themes, particularly Disney stories and the Wizard of Oz, which laid the base for future programming.

As I said, disturbing stuff...

The issue of photographic memory and the notion of 'super human' remind us of Schwarzenegger who is a Hollywood-made 'superman' associated with 'Total Recall' - 'total recall' being synonymous with photographic memory. And again, The Manchurian Candidate was released just this year on Arnold's birthday (July 30) shortly before the Athens Olympics.

O'Brien writes more on the Oz connection:

The majority of my programming was Oz-theme based. This means the combination of codes, keys and triggers to access me were related to L. Frank Baum's story The Wizard of Oz. Whether or not it was Baum's intention, it is evident that his psychologically intense story was used for manipulating minds. Much of The Wizard of Oz lends itself to themes commonly used by perpetrators. For example, nearly all Multiple Personality Disorders (MPDs) have suffered the loss of pets during ritualized torture. And all of Dorothy's nightmarish experiences "over the rainbow in Oz" stemmed from her desire to risk her own life to protect her threatened pet. Abusers use this lesson to condition the victim to drop all resistance and cooperate or "I'll get you, my pretty, and your little dog (or child) too." The "over the rainbow" scramble of dreams vs. reality provides abusers with a theme by which to manipulate an MPD's subconscious perception of switching personalities. Oftentimes this theme is used to suggest a trans dimensional experience like that of Oz so that a victim will perceive the experience as "just a bad dream" like Dorothy was told upon her awakening in her own bed back in Kansas.

Could this be true? We almost find ourselves hoping it's not, but there seem to be enough smoke to suggests some kind of fire out there. A particularly intriguing clue I've found in this direction is the film The Butterfly Effect released January this year.

First there is the 'butterfly' association - as 'Monarch' is presumably a reference to the Monarch butterfly (see picture).

Secondly, the storyline: although 'the butterfly effect' ostensibly refers to an aspect of 'chaos theory' that states 'small variations in the initial conditions of a dynamical system can produce large variations in the results', the story deals more with abnormal behaviors exhibited by the mind/memories. The plot outline sounds suspiciously familiar:

A young man (Kutcher) blacks out harmful memories of significant events of his life. As he grows up he finds a way to remember these lost memories and a supernatural way to alter his life.

Blacking out disturbing memories is the very process exploited by the trauma-based mind programming method, i.e. Project Monarch. The unexpectedly dark story from Hollywood involves incestuous sexual abuse, pet killing, and prostitution... These are all key elements of the Monarch programming!

The Butterfly Effect is also a story about time travel thus confirming the stargate-mind control connection. The original scenario used by the 'butterfly effect' theory adds another level of interconnectivity:

Edward Lorenz first analyzed the effect in a 1963 paper for the New York Academy of Sciences. According to the paper, "One meteorologist remarked that if the theory were correct, one flap of a seagull's wings would be enough to alter the course of the weather forever." Later speeches and papers by Lorenz used the more poetic butterfly, possibly inspired by the 1952 Ray Bradbury short story A Sound of Thunder. In that story, a time traveller accidentally steps on a butterfly in the distant past, causing broad changes in the present. A common description of the effect says that a butterfly flapping its wings in Brazil can cause a tornado in Texas months later.

Altering weather... Tornado... Can you say HAARP? Florida hurricanes? The Wizard of Oz? It's all there.

Now, in light of the newly introduced context of mind-control, what are we to make of this 'twister'?

Remember, this one came on Sept 2, merely days after the Athens spiral (Aug 29) and Schwarzenegger's charismatic national convention speech (Aug 31). This 'twister' was set up only for George W. Bush on the final day of the convention...

It is almost as if we are to view Bush as a 'Dorothy' or a 'Manchurian Candidate' - i.e. a mind-programmed 'monarch'.

Perhaps it's not so literal; it may well have been just a way of attaching the notion of a 'monarch' (president) to the twister theme so as to amplify the Project Monarch allusion. Or it may well have been a foreshadowing, a 'prophecy', announcing the rise of a real 'Monarch' underway...

We should take into consideration, however, the fact that Cathy O'Brien outed Dick Cheney, along with Bush Sr., as one of the brutal Monarch handlers/programmers. The story related is so appalling, even for Cheney, that I'm frankly not sure how credible her claim is. But if there is some truth to it, then we can't help but wonder if George W's apparent subservience to the Vice President has something to do with mind programming. Well, who knows.

What I feel is more important is the potential implication of this kind of mind-control operation (or psyops) being used against the entire US population. Remember, we are talking about a trauma-based mind-control method. What is Bush-Cheney's America but a trauma-driven nation? The events of 9/11 psychologically traumatized American people - no one disputes that. And there is no question that the Bush administration has invoked 9/11 again and again and again and again to program and trigger the trauma-driven mentality.

Then in the spring of 2004 came the gruesome videos showing Americans and others getting beheaded. Scenes so violent they were sure to psychologically traumatize anyone who watched them. I would compare this to the pet-killing ritual of Monarch. The same period also brought the US a sense of profound national shame - the Iraqi prison torture scandal. It came right after the release of a 2-hour torture film called The Passion of the Christ, deliberately designed to shock people, especially the religions ones. Its video/DVD came out on August 31, the day of Schwarzenegger's speech in NYC...

As Cheney and Bush took their turns at the RNC following Arnold (Sept 1 and 2 respectively), another shocking event unfolded in Beslan, Russia. This was a school hostage situation ending disastrously, leaving hundreds of children dead and others at least tortured (i.e. physical and psychological suffering). Also disturbing in this case were the images coming through the media that were subtly moving in the direction of child pornography - see these pages on CNN and BBC for example. It just seems to get sicker and sicker.

Torture is of course an essential component of the trauma-based mind-programming methodology. Accordingly we see more and more people acting as if they are robots responding mindlessly to commands coming from authority figures, particularly the Nazi-like radical rightwing propaganda network (helped by the subservient and useless left counterpart), closely tied to the Texas oil-energy forces pulling political strings with their oily fingers. Fitting, therefore, that in Terminator 3: Rise of the Machines, the 'mind' of Schwarzenegger's Terminator character gets reprogrammed by the Terminator 'TX'. As I wrote earlier:

The 'TX' designation conjures up 'Texas', the official abbreviation of which is in fact 'TX'. Many scenes in the film are very Texas-like to underscore the connection.

It cannot be missed that Texas represents the political 'Ground Zero' in the post-9/11 period under the Bush presidency. Both Bush and Cheney are from Texas and have done shady dealings with corrupt Texas energy/oil corporations like Enron and Halliburton. Without Texas there probably would have been no Iraq invasion or even 9/11. Schwarzenegger has a shadowy Texas connection as well - a connection seemingly acknowledged in T3 as he utters 'TX corrupted me'...

The fact is, Arnie's rise in California politics has much to do with the state's disastrous energy situation (massive blackouts etc.) which in turn was driven by the corrupt practices of Texas energy companies, particularly Enron.

Both in T3 and Total Recall, Arnold's character ends up fighting against his handlers... which is very interesting and may hint at what he would do once installed in the White House. Should this scenario play out in real life, his Antichristic or Beast-like role would end up transforming into one we might call the 'Last Action Hero' who defeats the insidious 'TX' cabal. Something to keep in mind in the coming years as events unfold.

The 'endgame' began on 9/11. There is a growing perception even inside the US that the official explanation of 9/11 is just one big fabrication. A large and growing body of evidence suggests that a rogue faction in/behind the US government and military-industrial complex was behind the trauma-inducing events. In his new book Crossing the Rubicon, respected independent investigator/journalist Michael C. Ruppert (of From the Wilderness) even names Dick Cheney as a 9/11 mastermind. On his website is written:

The attacks of September 11th, 2001 were accomplished through an amazing orchestration of logistics and personnel. Crossing the Rubicon discovers and identifies the key suspects and persons of interest - finding some of them in the highest echelons of American government - by showing how they acted in concert to guarantee that the attacks occurred and produced the desired result. [...]

After two and a half years of research and writing, Ruppert said:

"In my new book I will be making several key points:

1. I will name Vice President Richard Cheney as the prime suspect in the mass murders of 9/11 and will establish that, not only was he a planner in the attacks, but also that on the day of the attacks he was running a completely separate Command, Control and Communications system which was superceding any orders being issued by the FAA, the Pentagon, or the White House Situation Room;

2. I will establish conclusively that in May of 2001, by presidential order, Richard Cheney was put in direct command and control of all wargame and field exercise training and scheduling through several agencies, especially FEMA. This also extended to all of the conflicting and overlapping NORAD drills -- some involving hijack simulations -- taking place on that day.

3. I will also demonstrate that the TRIPOD II exercise being set up on Sept. 10th in Manhattan was directly connected to Cheney's role in the above.

4. I will also prove conclusively that a number of public officials, at the national and New York City levels, including then-Mayor Rudolph Giuliani, were aware that flight 175 was en route to lower Manhattan for 20 minutes and did nothing to order the evacuation of, or warn the occupants of the South Tower. One military officer was forced to leave his post in the middle of the attacks and place a private call to his brother - who worked at the WTC - warning him to get out. That was because no other part of the system was taking action.

5. I will also show that the Israeli and British governments acted as partners with the highest levels of the American government to help in the preparation and, very possibly, the actual execution of the attacks."

So the clues are there. The subtitle of Ruppert's book is The Decline of the American Empire at the End of the Age of Oil to paint a picture paralleling my own view - that the United States as we know it is about to be terminated (already in the process) and the 'torch' of the New World is being passed on to Mars. Even Cathy O'Brien's book concerning Project Monarch carries a similarly suggestive title: 'TRANCE Formation of America'...

In this light the unprecedented event of having a series of four major 'spirals of wind' hitting Florida - a state governed by Bush's brother - starts to hint at a mass mind-control operation being conducted against the American populace. It is only fitting that there is a significant overlap between weather-manipulation and mind-manipulation methodologies/technologies.

Exit the Matrix - Mayan Final Countdown

Those who are continuing to resist the media-assisted psyops in the United States can clearly perceive the nation entering an 'alternate reality' based on lies, arrogance, fear, and denial. When the mainstream media keep feeding people unbalanced and heavily filtered information, it gets very difficult to not have a very skewed worldview. Control the information flow, and you control the people. Just look at what the Nazis were able to achieve with their bold propaganda tactics of 'big lies' (or 'shock and awe'). You don't have to go high-tech to carry out effective 'mind control' operations.

Well-coordinated networking is often all you need to create a false reality for the lowly populace. When the government and the corporate media are on the same side opposite the general public, 'reality' is easily what they decide it is. Americans today are kept in a bubble, surrounded by cleverly crafted illusions. Clearly it is by design that the US finds itself increasingly out of step with the rest of the world.

We now have a convenient term for describing the situation - 'the Matrix'. It's a great metaphor provided to us by the the popular 'The Matrix' movie trilogy. And it seems only natural that within The Matrix itself is found a lot of metaphoric references to The Wizard of Oz and Alice in Wonderland.

The naming and concept of 'the Matrix' apparently came from a four-episode serial on the British science-fiction television series Doctor Who, called The Deadly Assassin (1976). This relates back to the Monarch project designed among other things to create sleeper assassins who can be 'triggered' into action. Additionally The Matrix's main concept of machines vs. humans closely follows Schwarzenegger's Terminator series.

Another word interchangeable with 'illusion' or 'the Matrix' is 'Maya' of Hinduism and Sikhism:

A modern concept that illustrates Maya/Illusion wonderfully is the Sci-Fi Movie "The Matrix". Everything in The Matrix is believed to be real, until the character Neo wakes up, and sees that it's just a dream world. One who is asleep never knows he is until he wakes up.

The term is popularly known for being the name of a mysterious Mesoamerican civilization. Not only did the ancient cultures of Mesoamerica - Maya, Aztec, etc. - inhabit areas straddling the hyperdimensional latitude 19.5 N, they used planet Venus as a key component in their famously sophisticated time-keeping system, which tells us there is something worth investigating here.

These days the Mayan culture is attracting more and more attention thanks of course to '2012', now looming right around the corner - i.e. the 'end date' marked by the Venus-driven Mayan calendar. It's important to note again that the year 2004 is celestially stressed by the Transit of Venus, the rare union of the Sun and Venus - a phenomenon that occurs in pairs every 100-120 years. The last pair was in 1874 and 1882, and the latest pair in 2004 and... you guessed it, 2012.

This implies that the 'super torch ritual' of 2004 involving themes of Contact, stargate, Mars, Genesis, heavenly stone, planetary seeding, etc. were designed to interact with the year 2012, making 2004 a point in the spiral of time vertically aligned with the Mayan 'end date'. The sense of design dramatically increases when added that the start date of the ('Long Count') Mayan calendar is widely thought to be either August 11 or August 13, 3114 BC - 'August 13' being the date marked this year by the opening of the Olympics. (August 13 is important even to the Aztec/Tenochtitlán calendar for which August 13, 1521 is one of the two dates widely used to correlate it with the western Julian calendar.) It's also ritualistically noteworthy that '3114 BC' would turn into 3-11-04, the date of the Madrid train bombings involving the world's only Lucifer (= Venus) statue, 'prophesied' by the 'Terminator Code' as discussed earlier.

In this emerging big picture, the earlier 'Sun Stone' (= heavenly stone) theme highlighted by the successive 'falling from the sky' events of Pope Petros VII and the Genesis spacecraft would morph into a gateway connected to a whole new complex of 'signs' indirectly showing us what we're facing at this momentous point in history...

Turns out, one of the most striking crop circles in 2004 - created on August 2-3 at Silbury Hill near Beckhampton, Wiltshire in England - was what we may call a 'Sun Stone' crop circle!

[From cropcircleconnector.com]

As noted by the 'Crop Circle Connector' website, the mesmerizing formation looked very 'Aztec':

Whoever, or whatever, is responsible for the August 2 to 3, 2004, crop formation at Silbury Hill, the design in its border is a mirror image of a rare statue of the Aztec God, Xochipilli, The Prince of Flowers, Maizes, Love, Games, Beauty, Song and Dance. Xochi means 'flower,' while pilli means either prince or child. In the mid-1800's, a 16th century Aztec statue of Xochipilli was unearthed on the side of the volcano Popocatapetl near Tlamanalco, Mexico. The statue is of a single figure seated upon a temple-like base.

Two key things here: 1) Xochipilli being a god of love and games makes it relatable not only to Venus but also to Eros - the male god of love - who played such a major role in the open ceremony at the Athens Games; 2) Xochipilli being literally 'flower prince' makes it relevant to Florida and its ritualistic hurricanes ('winds circles') since 'Florida' is a Spanish adjective meaning 'flowery'.

Next, the crop circle appearing on August 3 (started on August 2 and completed the next day) has the function of reinforcing the above associations:

The ultimate 'torch bearer' Statue of Liberty, closed to the public after 9/11, reopened on August 3.

Venus the 'torch star' was situated inside the band of the Milky Way (i.e. our spiral galaxy) at the 'torch' region of Orion (making the constellation an analogue of the Statue of Liberty).

At dawn of August 4 in Athens, overlapping New York's August 3 (6-7 hours behind Greece), Venus crossed the heavenly due-east line exactly when Sirius - a star symbolically interchangeable with Venus - was rising at the horizon. Venus at this special moment was approximately 33 degrees (32.67 degrees) above the local horizon - '33' being a well known Masonic 'ritual' number (and the number of the Nile's 'anchor meridian', 33E, in my Time River Theory).

So there is enough here to suggest to us that the 'Aztec crop circle' was another key piece of the 'alien message' puzzle driven by the 'super torch ritual'.

Next up is the elevated significance accorded to the 'Sun Stone' theme. The combination of 1) the Aztec culture, 2) the circular nature of the crop glyph, and 3) the Mayan calendar theme in the background together evokes the famous Aztec Calendar (link 2, 3) shown below.

[From cropcircleconnector.com]

On the Crop Circle Connector page is noted:

Historically, the Aztec name for the huge basaltic monolith is Cuauhxicalli Eagle Bowl, but it is universally known as the Aztec Calendar or Sun Stone. It was during the reign of the 6th Aztec monarch in 1479 that this stone was carved and dedicated to the principal Aztec deity: the sun. The stone has both mythological and astronomical significance. It weighs almost 25 tons, has a diameter of just under 12 feet, and a thickness of 3 feet.

Yes, the Aztec Calendar is widely known as the 'Sun Stone'!

Now let's go back to the 'Sun Stone' ritual carried out by NASA on Sept 8, i.e. the 'Contact' moment when heaven and earth were united as the Genesis space capsule returning from the Sun crashed into the Utah desert. On the same day was produced a due-east alignment of Venus, Saturn, Moon, and Galactic anti-center as seen from Giza where stands the Great Pyramid missing its capstone/Benben Stone - the 'Genesis seed' - analogous to the 'Sun Stone'. The symbolic implication being that the pyramid's missing 'Sun Stone' returned from the sky in the form of the Genesis capsule.

The Genesis probe's mission was about bringing back the 'winds' of the Sun (solar wind samples). The solar wind - charged particles, or ions, spewed by the Sun - has much to do with the 'sunspot' activity driving solar flares and coronal mass ejections which in turn affect the earth's magnetic field and cause the aurora phenomenon near the polar regions. Every 11 years the Sun reaches a 'solar maximum', i.e. when the number of sunspots peaks or when the Sun is the most active. This is known as the sunspot cycle; it's the state of the Sun or... the 'sunshine state', as in Florida - the state hit by four major hurricanes or... winds! (So the Florida hurricanes were symbolically 'solar winds', hinting at the importance of the 'state of the Sun'.)

The previous peak, that of 'Cycle 23', officially came in 2001, the year of 9/11. As well known, 9/11 produced a lot of '11's, starting with the 11-shaped Twin Towers, having 110 floors, getting hit on the 11th day of the month by two planes the first of which was Flight 11, and such. Now with the persistent 'Sun Stone' theme alluding to the sunspot cycle, it becomes highly suggestive that the next sunspot peak, exactly 11 years from 2001, will mark 2012, the Mayan end date! This connection is reinforced by Maurice M. Cotterell's theory presented in The Mayan Prophecies (1995, co-written with Adrian Gilbert) showing that the strange rhythm of the Mayan calendar - which is a more sophisticated 'cousin' of the Aztec calendar - coherently interacts with the complex cycles of the solar magnetic fields.

And here comes the punch line: it's already been claimed, quite convincingly, that the 'Aztec crop circle' is a coded calendar pinpointing the year... 2012!

[From cropcircleconnector.com]

On the Crop Circle Connector webpage is featured the following analysis done by one 'C. Lewis' making the case that the circle's design encodes a 'Mayan calendar' sequence, counting down to 'time zero':

The Calendar Clock [some emphasis added/removed]
The new Silbury crop-picture takes 'crop messages' to a new level! Anyone can see that it encodes some kind of important message, relevant to ancient Mayan-Aztec prophecy.

So I spent several days learning Mayan-Aztec calendar systems, and now believe that the interpretation is unique and straightforward. It seems to be just a large "calendar clock", with time shown in four different units (analogous to days, hours, minutes or seconds) along the outside, plus a 'moving clock mechanism' in the center.

Both 'inner hands' tell us that we lie precisely (52 / 6) = 8.67 years from the end of the 'Fourth Sun' in 2012.9, where 2004.6 (August) + 8.67 = 2012.9 (almost). The same picture would have had to be drawn in February 2004.2 to be perfectly accurate (no crops were growing then).

Aztecs and Mayans used three different calendar systems with 260, 360 or 365 days per year, but the crop-artist for simplicity drew everything in 360-day 'years'.

Outer dial of the clock: 4 shaded areas represent 5200 years each, and symbolize four previous or current "Suns", just as for the Calendar Stone in Mexico.
10 outer boxes per Sun (over any 90 degree quadrant, with boxes 1 and 2 always shaded) represent 520 years each.

10 inner boxes per Sun (again over any 90 degree quadrant) represent 52 years each (the most fundamental Mayan unit of time covered 52 years, as the convergence of 365 and 260-day calendars).

Finally, because we lie so close to 2012.9, the crop-artist added a feature not present in Mayan-Aztec culture: he/she divided the two inner-boxes closest to any shaded region into finer divisions of (52 / 6) = 8.67 years, by means of (2 x 3) =6 fine-lines.

Now both "hands of the clock" point precisely to the last fine line before any shaded region, meaning that we lie today "8.67 years from the end of the Fourth Sun".

Inner hands of the clock: two 'bundles' of 20 fine lines [ed. note: actually there are only 19 fine lines, but the number would remain 20 if the attached curved line is counted - Goro] tell us that we are working in Mayan-Aztec mathematics. For most historical dates or 'long count', the Mayans or Aztecs used powers of 20: for example 20 days per month, 20 years, 20 x 20 years, 20 x 20 x 20 years.

Thus within any 'Sun' of 5200 years (as shown four times on the outer dial), we find 13 x 20 x 20 = 5200 years calculated in another way, and sometimes represented as 13.0.0.

Looking again at the inner hands, we see however only (2 x 6) = 12 thick curves above and below: signifying 12.0.0, and indicating that 13.0.0 is near.

[Ed. note: As before, if the bundle of 19 fine lines are counted together with the curved lines, the total number would be 14 (i.e. 7 x 2); the bundle counted as only half a line because of the irregularity, thus representing 0.5, the total number would be 13 (i.e. 6.5 x 2), as in '13.0.0.0.0' or the end/completion. Applying this to the earlier case, we would have '19.5' as the number, thus seemingly alluding to the tetrahedral/hyperdimensional/stargate angle. - Goro]

Summary: Two different Mayan-Aztec calendar schemes are encoded in the diagram, leaving no possibility for error.
The outer dial counts time as 52 x 10 x 10 =5200, and uses a set of six fine lines near any shaded area for greater accuracy, namely 52 / 6 = 8.67. [ed. note: the significance here being that subtracting '8.67' years from the Mayan end date of Dec. 21, 2012 brings us to 2004, i.e. when the crop circle was created. - Goro]

The inner hands count time as 12 x 20 x 20 or 12.0.0, since 13 x 20 x 20 = 13.0.0 = 5200 has not yet been reached. [ed. note: or as I've noted, the inner hands can easily be interpreted as signifying 13.0.0.0.0 - Goro]

Because the information provided in both parts is redundant, we can be sure that the interpretation is correct. In other words, "the end of the Fourth Sun is near and on schedule". An incredibly clever scheme of pictorial mathematics.

C. Lewis

As far as I can tell, the above analysis is internally consistent (though shaky in some areas) and makes a strong case for the crop formation being a reference to the Mayan Calendar and 2012. The fact that mainstream news organizations like BBC ran a story on this otherworldly creation just a day before the opening of the Olympics (Aug 12), discussing its Mayan nature, speaks volumes about its intended significance.

Go to Page 3

[Back to main page]

'Life is not measured by the number of breaths we take, but by the moments that take our breath away.'

-
-