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Stargate
Cipher 2012
Athens
Olympics,
Contact, Life On Mars,
Holy Grail, Ultra Technology
& Mayan Calendar
By Goro Adachi
Oct 23, 2004
© Goro Adachi
...continued
from Page
2:
Eye In the Sky
The notion of
'stargate' technology coming from the Nazis, as implied in Contact and
the 'super torch ritual', is probably closer to reality than the 'alien' scenario. This would at least partially explain the
cartoonish appearance of the alien crop glyph. The 'ET' is in effect a puppet covering for someone else...
someone foreign and mysterious but more earthly. The 'aliens' from the
Third Reich.
 As explained in Endgame
II (Oct 16, '02), the sudden appearance of the glyph
coincided with the US release of 'The
Hunt for Zero Point' by Nick Cook, aviation editor of Jane's
Defence Weekly in Britain. I wrote:
...the
alien crop formation was reportedly created on/around August 14, 2002 in
England (the land of Nick Cook, the author of the book). Due to
geography, U.S. time is as much as 8 hours behind Britain. So, the
August 14 of Britain was necessarily overlapping the August 13 of the
U.S.
In
other words, for all intents and purposes, the 'alien warning' and The
Hunt for Zero Point appeared simultaneously!
The book is all about
the rumored existence of 'stargate'/antigravity technology which Cook traces back to Nazi Germany. Here is
from the book's inside flap:
The
atomic bomb was not the only project to occupy government scientists
during the 1940s. Antigravity technology, originally spearheaded
by scientists in Nazi Germany, was another high priority, on that
still may be in effect today. Now, for the first time, an acclaimed
journalist with unprecedented access to key sources in the intelligence
and military communities reveals suppressed evidence that tells the
story of a quest for a discovery that could prove as powerful as the atomic
bomb. [...]
The
ideal shape for a gravity-defying vehicle happens to be a perfect disk,
making antigravity tests a possible explanation for numerous UFO
sightings during the past fifty years.
Chronicling
the origins of antigravity research in the world's most advanced
research facility, which was operated by the Third Reich during
World War II, The Hunt for Zero Point traces American
involvement in the project, beginning with the recruitment of
former Nazi scientists after the war, and reveals the United States'
suppression of Germany's attempts to harness hitherto
unacknowledged forms of propulsion, which would have devastated the
world's petroleum industry overnight.
Has it been proven that
the Nazis mastered antigravity? Not quite. But Cook does plausibly
argue that there was a machine kept extremely secret by the Nazis which may well have
been the Holy Grail technology - not just an antigravity machine, but
possibly a time
machine... a bona fide 'stargate'. The project went by two codenames: Chronos
and Laternentrager ('lantern holder'). The machine itself was
called Die Glocke or 'the Bell'. I postulated this might be
relevant to the Crabwood formation's 'bell' reference...
Beware the bearers of FALSE
gifts & their BROKEN PROMISES. Much PAIN but still time.
EELRIJUE.
There is GOOD out there. We OPpose DECEPTION. Conduit CLOSING (BELL)
In the original ASCII
computer code
(in which this message was encoded), 'Bell'  is
actually '007', which brings to mind the 007 (James Bond) movies.
The 1995 installment, 'GoldenEye',
is particularly interesting in that it features the Arecibo telescope. We learn:
The
telescope was used in the filming of two notable movies: as the
villain's antenna in the James Bond movie GoldenEye and
as the real antenna in the movie Contact.
Perhaps the alien's creepy, distinct eye - unusual for a 'grey'-type alien - was
a hint. Together with an allusion to phi
- or the Golden Ratio - the GoldenEye connection actually
becomes quite plausible. The phi link here is this:
the glyph's appearance on/around August 14 marked the phi
point - i.e. 1.618:1 ratio - of the year 2002 as did the opening day of
the Athens Games (2004 is a leap year).
Eye + Golden Ratio + '007' = 'GoldenEye'
There is even a
potential connection with Tesla because 'GoldenEye' in the movie refers to a secret satellite-based electromagnetic pulse (EMP) weapon system
capable of destroying any electronic device. This sounds like Tesla's 'Death Ray'
weapon but in a more 'Star Wars'-type
context. Incidentally the American Star Wars/SDI program was initiated by Ronald Reagan
whose last name evokes 'ray gun'. His death in June was one of the
year's biggest US events and his funeral (June 11) was
a big part of the 'super torch ritual' commemorating
the passing of the 'kingship' to Schwarzenegger. We covered all that...
Another possibility
here is the
GoldenEye link being a hint as to how the crop glyph was created. Assuming
that 'stargate' technology does exist somewhere today, we can easily
envision those few with access
to it, probably in
the dark world of the military-industrial complex, having some 'fun'
creating elegant crop circles with a special satellite. It's not that fetched an idea
at this point.
Under the flashy 'alien contact'
storyline is therefore hidden the 'real' message all about super-advanced secret
technology, or 'Ultra-Tech'. This is supported by the strange fact that the glyph
was a close replica of a graphic found on the 'Watcher'
website (first mentioned in Endgame II) on which is discussed familiar issues such as Mars/Cydonia, fallen angels (Lucifer), and the
Antichrist (though with more Christian overtones overall). The graphic
says 'Ultra-Tech'...
The main brain behind
the Watcher website is David Flynn who recently published his own book Cydonia:
The Secret Chronicles of Mars, now endorsed by Hoagland. I have communicated with
him and having read each other's book we agreed
that our
findings (mine
being The Time
Rivers) are pieces of the same grand puzzle.
David Flynn left, Hoagland
right
He informed me that the 'Ultra-Tech' logo design (done by
his brother) alludes to the rumored story of the US military-industrial
complex secretly back-engineering alien technologies recovered from the legendary
Roswell UFO crash. As noted earlier, 'flying saucers' are associated with antigravity
and often theorized to have been advanced vehicles developed by
the Nazis. I for one cannot discount the possibility that the whole
UFO/alien mythology is in fact a contextually modulated story about the hidden
Nazi legacy. So  the 'Ultra-Tech' graphic brings us right back to the
'stargate' theme, further corroborated by the existence of another version
of the graphic showing a rotating
tetrahedron instead of a computer circuit. Recall
that tetrahedral geometry is the key to 'stargate'/hyperdimensional
physics as deriving from Hoagland's Cydonia investigation - most
prominently expressed by the latitude pinpointed by a circumscribed
tetrahedron, 19.5 degrees, or to be more accurate, 19.47 degrees. 
Curiously,
the Roswell crash took place in '1947' - which is even the year of Schwarzenegger's birth.
In fact these two events came in the same month... July. There
is more to this hyperdimensional aspect of the glyph, as I found out when
I contacted David Flynn recently via email to check if I got the
story of the Ultra-Tech logo correct. I did, but after being told about my article he informed me
that he had done his own investigation into the glyph
and promptly sent me a collection of graphics, originally created for his presentation at Roswell
July 4th
this year. These were exciting discoveries very much in
line with my own findings and decidedly hyperdimensional...
David noted there
were 59 horizontal lines in the rectangular frame
and 33 lines of spiraled ASCII codes along the bisected disc
which together pointed to 1947 and 19.47 because: 59 x 33 = 1947, and
33% of 59 = 19.47! He
also found pi (= 3.14159...) deeply embedded in the puzzle. The glyph's
bisected circle was a hint since pi is a mathematical
constant representing the ratio of a circle's circumference to
its diameter. Going beyond this, David discovered that the Roswell crash site itself
was a pi-encoded geographical position, as shown in these illustrations:
This
even correlates with Contact because Sagan's novel
includes an important development involving pi:
In a
kind of postscript, Ellie, acting upon a suggestion by the senders of
the message, programs a supercomputer to compute the digits of π
[= pi] to record lengths, and to analyze the stream of numbers for a non-random
pattern. Far from the decimal point, she finds that a special pattern
does exist far earlier than statistically likely. It is an unmistakably
intelligent artifact, "the artist's signature," woven into the
fabric of space.
It's also an important
point that the
Roswell UFO crash came on/around July 4, Independence
Day. We have the 1996 alien movie involving
Roswell titled 'Independence
Day'. The holiday's most prominent symbol is
the Statue of Liberty which is also a memorable symbol used in the film.
The same director who did 'ID4' is behind The Day After Tomorrow released earlier this
year, reiterating the Lady Liberty/torch connection - see graphics below
- and the weather/hurricane connection... (after all ,the film is all about
the weather going crazy).
 (There is
also a 1949 book
called 'Sixth
Column' published also under the name 'The
Day After Tomorrow'. The story involves electro-gravitic 'ultra technology'!)
Lady Liberty is of
course the world's most famous
torch-bearer - a big part of the 'super torch ritual' anchored by the 'light-bearer' star Venus.
Tellingly, this year's 'Lady
Liberty day' (i.e. Independence Day) was
specifically designed to interact with the Athens Games, the
climax of the torch ritual, in that:
-
On July 4
(the 'torch' day), Greece's national soccer team
won the European Championship in
a historic
upset.
-
 The Tour de France
(another major
sporting event) began on July 4. (The Statue of
Liberty was a gift from France.) As per
tradition the
race ended in Paris, the city of Isis-Venus
('Par-Isis'). Paris as a character in Greek mythology is analogous
to a torch.
-
On July 4
the cornerstone of 'Freedom Tower'
was laid at Ground Zero, the site of the WTC towers. 1) The new tower is designed
to reflect the
basic shape of the Statue of
Liberty. 2) A 'tower' is representative of Mary Magdalene (= Isis-Venus),
an alter ego of Lady
Liberty, as 'Magdalene' ('Magdala') denotes 'tower'. 3)
The name 'Tour de France' can mean 'Tower of France',
practically synonymous with 'Freedom Tower'. 4) The Pentagon,
another structure attacked on 9/11, signifies Sirius-Venus-Lady
Liberty (traditionally symbolized by a pentagram). 5) 2001 was 225
years after the birth of the United States (1776), '225' being the
orbital period (in earth days) of Venus around the Sun and
matching the opening day of the Athens Games (225 days after
1/1/04).
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Common to both Athens
and Paris is the notion of the prime meridian (chief longitudinal line). Paris has
the historically and Gnostically important Zero Meridian/'Rose Line',
and the Mars rover Opportunity carrying the 'Athena'
payload landed in Meridiani Planum ('Meridian Plane') near the Martian
Meridian in January 2004. This becomes important combined with the
following...
Just a month after its rare union with the
Sun, Venus crossed the Galactic Meridian
(i.e. longitude 0°/180°) on Independence Day and at the hyperdimensional
latitude of -19.5°!
The
crossing occurred just as Venus was making a U-turn, changing its
(apparent) direction from retrograde to direct. This was indeed yet another manifestation of the 'Tour/Tower de
France' theme since 'tower', as well as 'tour', etymologically
derives from a root word denoting 'spinning' or 'turning'! It also relates back to the twister theme.
Apparent path of Venus as
it crossed Galactic Meridian
near Aldebaran (meridian not shown).
All
together,
Independence Day 2004 featured no less than four 'Tour de France'
manifestations:
1) start of the Tour de France race, 2) Freedom Tower's cornerstone
laid, 3) Statue of Liberty, a form of Venus and a gift from France, highlighted by the
holiday celebrations, and 4) Venus making a 'hyperdimensional turn' at the
Galactic Meridian. Another 'Tour de France' manifestation worth noting is the Eiffel Tower in Paris, where the Tour race
traditionally ends (Champs Elysees). It is the
'tower' of France, if not of the entire world, standing in the Champ
de Mars, or 'Field of Mars', hence underscoring the Martian Meridian
association. Another
key point here is the fact that the Meridian crossing was
closely marked by the position of Aldebaran, a bright star in Taurus
known also as... the 'Torch-Bearer'! It's also called 'Bull's or
God's Eye', conjuring up the (Golden)
'Eye' theme again. As
already noted, GoldenEye
refers to a 'Star Wars'-type satellite weapon relatable to Reagan whose
recent death event coincided with the Transit of Venus and concluded on
June 11 with the 'passing of the torch' ritual involving Schwarzenegger.
Well, it just happens that Venus was crossing the Galactic Meridian on that very
day too! I wrote elsewhere:
 ...the recent
Transit
of Venus... coincided with the week-long funerary proceedings
following Ronald Reagan's passing. The transit took place on June 8 at
the edge of the Milky Way and very close to the Galactic Meridian
(i.e. longitude 0°/180°).
Few days later
on
June 11 Venus actually crossed the Meridian, coinciding with the
funeral/burying of Reagan down on earth which also simultaneously
signaled the 'rise of Schwarzenegger'.
Back to the July 4 crossing, I
noticed that it
took place at a V-shaped region of Taurus known as the
Hyades. As pointed out by Jane B. Sellers and later by
Robert Bauval (The Orion Mystery, pp.147ff), it was associated with
the Egyptian god Seth
(or Set), the embodiment of evil/chaos and Horus' archenemy. In their epic
battle, Horus lost his left eye and Seth his testicles.
In this context the left eye of the
Crabwood alien was perhaps an allusion to Seth.
Indeed, Seth was
considered a 'foreigner' or 'alien', and the name Seth - also spelt 'Set'
- brings to mind SETI, Search for Extraterrestrial Intelligence...
The fact that only the right side of the face
was highlighted alludes to the double-face model of the Face on Mars
in which the right side represents the head of the beast (leonine).
Now check out the following, written
by me back on October 24, '03:
In the first Endgame
article,
I discussed what appeared to be a 'leak' by an 'insider' posted on the
former message board of Richard Hoagland's Enterprise website.
[...] The post by 'KBS' included only a series of numbers that was
hyperlinked to a webpage displaying the 2002 'alien disk' crop glyph.
Soon another poster there (perhaps the same 'insider')... found the
following encoded message: 'HaPPy AnNiVerSaRy, HoAglAnd'.
...The key: the message
was posted on August 27 ('02) . And with the mention of
'anniversary', meaning 'returning with the year at a stated time', it
became clear... that it was pointing ahead to the August 27 of
the following year, 2003 - the exact date of [Mars' historic
close approach to Earth]! Since Hoagland is [the famous
'Mars/Cydonia guy'], there was no question that this was the intended
message.
...The alien
crop glyph, to which the coded message was hyperlinked, was created
on Aug. 14 (= Aug. 27 Gregorian); and the message
itself was posted on Aug. 27 (= Aug. 14 Julian) and
pointed ahead to the Aug. 27 of 2003. [...]
...On [or very near] the predicted 'Hoagland anniversary' day (8/27/03),
Richard Hoagland [published] his new paper
on his website [featuring] a new picture of the 'Face on Mars'
taken by the Odyssey spacecraft...
Hoagland begins
the paper by stating:
This startling
new image of the well-known "Face on Mars" (above [right])
may ultimately be regarded as one of the most important photographs
of the entire Space Program. For, after almost 30 years of acrid
controversy and debate, a "whole new side" to this
perplexing Martian mystery - and the profound social and scientific
questions it continues to present - has now literally dawned...
He goes on to
discuss how the lighting of the rising sun reflected on the eastern
side of the 'Face' reveals a new mystery, an inexplicable amount
of reflectivity. The paper is all about the brightly lit right
half of the Face.
This 'beast' revelation closely coincided with the 'rise
of Schwarzenegger' whose political ascension began on August 6 ('03).
His designated role in the
'super torch ritual' is an 'Antichrist' or... 'Beast' which is
symbolically coherent. But Arnie
is also a form of Horus, contradicting his Seth/Beast connection. It would
still make coherent
sense, however, if - as likely - the
'rise of the Terminator' signifies the 'rise of a false Horus',
i.e. Seth.
At any rate, it cannot be missed that the
'light bearer' star (Venus) illuminating the Hyades (= Seth) on the
torch/light day (July 4, '04) was a reproduction of sunlight
illuminating the beast side of the Face. A direct comparison (using the
glyph) below reveals an
intriguing resemblance.
Even the glyph's
angle relative to the grooves in the field corresponds to
the angle made by the Galactic (shown) and Ecliptic (not shown but
basically horizontal) grid systems.
 Finally, interactions
between Seth and Horus (such as their great battle) can
be epitomized by the pictorial theme showing them in the 'act of
churning/drilling' which, combined with Seth being the god of wind and
storm, brings back the twister theme.
The act of churning had
another version in which  the
Nile twin gods do the 'drilling' instead of Seth and Horus. The
interchangeability is also evident in the close link found between the Horus-Seth
battle and the 'Winding Waterway', an Egyptian term
for the Milky Way and its earthly counterpart the Nile. From Pyramid Texts
594-6:
Horus
has cried out because of his Eye, Seth has cried out because of
his testicles, and there leaps up the Eye of Horus, who had
fallen on yonder side of the Winding Waterway, so that it may
protect itself from Seth. Thoth saw it on yonder side of the Winding
Waterway when the Eye of Horus leapt up on yonder side of the
Winding Waterway and fell on Thoth's wing on yonder side of the
Winding Waterway. O you gods who cross over on the wing of Thoth
to yonder side of the Winding Waterway, to the eastern side of
the sky, in order to dispute with Seth about this Eye of Horus:
I will cross with you upon the wing of Thoth to yonder side of the Winding
Waterway, to the eastern side of the sky, and I will dispute with Seth
about this Eye of Horus.
[emphasis added]
 In my book The
Time Rivers I argue that the 'Winding Waterway' is a more
specific reference to the Nile's huge, anomalous bend in Sudan. The Nile
being an unusually straight river
flowing directly northward - the
first hint that it's an intelligently designed river - the big bend,
where the water suddenly turns around and flows southward, is very
notable. It is the only section of the Nile that clearly 'winds' - hence a 'Winding
Waterway'. And here '19.5' emerges again: the bend's northern peak precisely pinpoints the
tetrahedral latitude of 19.5 (or 19.47) degrees north!
 The Nile bend
even pinpoints longitude 33.0 degrees east... '33' being the other important hyperdimensional, as well as
ritualistic/Masonic, number. (The Nile is a
'hyperdimensional river'.) You may recall that the the alien glyph's
disk contained exactly 33 lines... The frame contained 59 lines;
33% of 59 is - as David Flynn pointed out - exactly 19.47...
The Time River Theory
is not yet widely known - I call it the 'Nile denial'. But it is a
major piece of the grand cosmic 'puzzle'. It's an 'alien message' so big
and unexpected that it had been overlooked all this time.
While this article puts emphasis more on the Nazi/ultra-tech aspect of the 'alien message',
the involvement of Cydonia, the Nile, and such make it plain that we are
ultimately dealing with a cosmic design that is truly 'out of this world'.
These are quiet whispers of a higher intelligence...
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