Contact, Life On Mars,
Holy Grail, Ultra Technology
& Mayan Calendar
By Goro Adachi
Oct 23, 2004
© Goro Adachi
Riddle of the
Fittingly enough, the most famous sphinx legend
comes from Greece. In Apollodorus
3.5.8 it is told that there was a sphinx monster at Thebes who devoured all those who could not solve
its riddle, which meant pretty much anyone who was unfortunate enough to
have encountered the monster. The riddle was: 'What
walks on four feet in the morning, on two at noon, and on three in the
evening?' After many were killed, Oedipus
finally solved it by answering 'Man
crawls on all fours as a baby, walks upright in the prime of life, and
uses a staff in old age'. The correct answer destroyed the sphinx.
little cryptic, but I found the legend reenacted in Mission To Mars - in effect acknowledging
the connection between the Face/Mars and the Sphinx. The sphinx's wrath in
the film comes in the form of a twister emerging from the Martian
The circular nature of
the whirlwind relates to the fact that the Athenean Face was ostensibly a sculpture from the ancient Cycladic civilization,
the name 'Cyclades'
coming from the Greek term 'cyclos' meaning 'circle' (as in 'cyclone'). This will prove important later on.
In any case the
twister in the movie appears to be in a murderous rage and terrifies the
human explores. But they later discover a coded signal transmitted by the Face/twister
containing DNA information,
which is almost but not quite human. Why? This is the 'riddle of the sphinx'.
The humans eventually figure out that it's a test and that the solution is
to make the DNA perfectly human and transmit it back
to the Face. In other words, the 'answer'
turns out to be 'man', just as is the case in the Greek sphinx legend.
Satisfied with the
'answer', the Martian
Face/Sphinx opens up and lets the humans enter the structure. And once inside they
are shown the history of Mars and Earth, i.e. the interplanetary seeding
process of Panspermia.
This is a pattern
closely mimicked by the
Athens Face breaking up into pieces being followed by a theatric simulation of the entire history of human
civilization, ending with the
messianic' DNA projection of 'MM'.
the DNA double-helix is also a genetic 'twister'. In Greek mythology,
furthermore, a 'whirlwind' is personified by a giant monster called Typhon,
from which comes the term 'typhoon'. Typhon was the father of the sphinx
and just as Typhon was a serpentine monster the name 'sphinx' meant
'strangler'/'throttle' evoking a serpentine wrath. The implication being that the wrath of the twister/typhoon/Typhon in M2M
does signify that of the legendary sphinx.
And then there was Hurricane
A real 'twister'
arrived in Florida on Aug 13 to almost overshadow the opening of the Olympics. Perhaps just coincidence, but consider
the following: 1) Florida is the 'Sunshine State'
and relatable to
sun-god Horus embodied by the Sphinx/Mars/Face, 2) the Cycladic islands,
from which had come the sculpture represented by the Athenean Face, were
believe by the ancients to circle the sacred island of Delos, the
birthplace of Apollo, the Greek sun-god, and 3) the name 'Charley'
means 'man', i.e. the very answer to the sphinx riddle!
addition, the general path taken by Charley to get to Florida (and by the subsequent hurricanes)
was from the direction of Cuba (or the West Indies). This brings to mind one particular scene
from Athens, coming near
the beginning of the show (see picture right).
Remember the Elian Gonzales saga
from '99-'00? Here is what 'garfield' astutely pointed
the Etemenanki forum:
August 13th was the 78th BIRTHDAY of Fidel Castro, Cuba's
enduring leader. It was also the day a super hurricane thrashed Cuba
on its way to Florida. Hurricane Charlie [sic] and
tropical storm Bonnie were the names of these twin storms that
menaced the south.
and Charley have allusions to the legendary Scottish prince, Bonnie
Prince Charles Edward and his escape on a boat to the Isle of
Skye, immortalized in the Skye Boat Song...
is the same Florida-Cuban regional waters where a few years back,
the Cuban boy Elian Gonzales fled with his mother on a boat to
Florida but ended up shipwrecked. All these occurred before the 2000
election controversy. [link]
same Elian which Goro had associated with Moses, the baby 'saved from
water' or 'drawn out' by the princess from the reeds. The same Moses
associated with the Ark of the Covenant and its parallel Noah's Ark and
the story of the Flood. Water-Ark-Argo-Mars. Standard fare for site
regulars by now.
name] Elian has connections [via the presumed variants 'Eliane' and
'Elaine'] also with the Greeks' Helen, and the Sun Gods Helios
is also the infant Greek Perseus and his mother Danae, cast into the sea
in a wooden chest (ark) and saved by fishermen, as was Elian.
All these express the same theme enacted in the Olympic ceremonies
where a boy sailed on a paper boat...
The name 'Cuba' is said
to come from cubanacan meaning
'center place' and the paper boat scene was immediately
followed by the centaur's appearance. Is there a center/centaur pun
intended here? Probably so, as we will see later on.
Charley part of the 'super torch ritual'? Is that even possible? Hard to
accept - because it would
imply someone literally controlling the weather. It's a wild concept
yet something very
unusual was happening. Even the mainstream news reported on the
unnatural behavior of Charley:
force took forecasters by surprise:
grew from a Category 2 to a Category 4 storm Friday and its
course took a sharp turn to the right, which put it some 70
miles south of the originally projected bull's-eye.
With so much
media focus on Tampa and St. Petersburg, many residents in and
around Punta Gorda were caught unprepared. The hurricane left at
least 15 people dead in its wake a wake that might not have been
nearly as big if the storm had stuck to its original path and struck
the big evacuated cities farther up the coast.
Charley's sharp turn baffles scientists:
A last-minute swerve
to the right by Hurricane Charley
which devastated the coastal Florida
town of Punta Gorda over the weekend, has baffled experts.
258 km/hour hurricane that flattened the US town on Friday
afternoon, killing at least 20 people and injuring many others, was
predicted to hit land 70 miles further north, but changed direction
within minutes of the coast.
was a sudden intensification and a veering to the right of track,
and we're all trying to work out why," said Mark Saunders, a
tropical storm expert from Benfield Hazard Centre at University
College London, UK.
In an unprecedented
development, three more major hurricanes successively followed
Charley in a short period of time,
all striking Florida...
So it is
legitimate to at least wonder whether some kind of weather
manipulation was involved - which is theoretically not impossible with high-powered
electromagnetic devices like HAARP
(High Frequency Active Auroral Research Project) up in Alaska.
The technological idea
behind the notorious HAARP project is speculated to stem directly or
indirectly from Nikola Tesla
- specifically his claimed 'death ray' (teleforce)
undeservingly less famous than Edison, Tesla was a great genius and an
inventor very much ahead of his time. So much so that within 24 hours of his death
in 1943 his technical papers (including his 'black notebook') were
by someone and the rest subsequently by the US government
(the Office of Alien Property). It is a known fact that he envisioned
controlling the weather.
wrote a sensational article for Century Magazine. In this
detailed, futuristic vision he described a means of tapping the sun's
energy with an antenna. He suggested that it would be possible to
control the weather with electrical energy. He predicted machines
that would make war an impossibility. And he proposed a global system of
wireless communications. To most people the ideas were almost
incomprehensible, but Tesla was a man who could not be underestimated.
Understandably, Tesla has been called the 'Master of
Lightening', making him almost analogous to Zeus (Jupiter), the god of
thunder and the supreme Greek deity honored by the Olympic Games
- increasing his relevance to our discussion.
Tesla's name was also immortalized by the
Coil', a historically important invention used to produce arcs of electricity or 'lightening'
as shown in these pictures below. (Incidentally the Tesla Coil involves 'twisters' of
As HAARP senior science advisor Dr. Dennis Papadopoulos
admitted, there is at least a conceptual connection between HAARP and the Tesla
are three things I can think about Tesla when I'm talking about
this particular project [HAARP]. The first ... we should think of
Tesla every time we look at a microwave oven; again the radiation
frequency of the microwave oven and the concept of the microwave oven
second thing is, it is a frequency transformer. Tesla, with the Tesla
coil, changes one frequency to another frequency. What we are doing
up there, we're taking at 5 megahertz a frequency which radiates in the
ground and we transform it into 1 hertz, 5 hertz, 10 hertz, or whatever
it is. So we have really a frequency transformer similar to what
Tesla was thinking. Third, and most important, once we create the
waves they propagate exactly the way Tesla conceived it through the
earth ionosphere waveguide.
On a more
speculative level, Tesla is associated with exotic
to antigravity and scalar electromagnetics. (He's even
rumored to have contributed to the 'Philadelphia Experiment', a supposed time-travel incident
in 1943.) These can be collectively called 'hyperdimensional physics' (HPD) -
a scientific model utilizing hyperspace, i.e. higher dimensions beyond
our four space-time dimensional reality. (It is a 'stargate science', if
you prefer that phrase.)
HPD is also the 'Holy
Grail' Hoagland claims to have
discovered in the geometric scheme of the Martian monuments. Mission To Mars doesn't miss a beat
here either, as Hoagland
commented in "Mission
to Mars": The NASA/Touchstone Version of "The Monuments of
major Hollywood personality recruited to oversee this unprecedented film
– nothing less than a NASA-supported "fictional confirmation of Cydonia!"
-- was award-winning veteran, Brian DePalma.
in addition to his credits on a score of other major films, went into
this project with a (required?) "special insight" into the
singular possibilities inherent in an "alien science" …
discovered "on location" on the Planet Mars:
own brother -- Dr. Bruce DePalma -- a very
unorthodox (if brilliant) former MIT engineer and physicist.
Richard Hoagland -- working quietly on the science and
engineering implications of his Cydonia discoveries for almost
ten years -- collaborated heavily along the way (with, among
others) one "Dr. Bruce DePalma"-- Yes, the same brother
… of this very picture’s esteemed Hollywood Director! [...]
initially brought together in 1989, Hoagland and his colleagues had just
published the outlines of something termed "Hyper-dimensional
Physics" – decoded through the hyperdimensional geometry
of the ruins specifically grouped around "the Face."
When placed alongside DePalma’s previous laboratory data, the "HD
Model" seemed for the first time to be able to explain several of
the otherwise inexplicable and astonishing laboratory results
independently documented by DePalma … going back some ten years
before Cydonia was even photographed!
highly significant experimental results ranged from DePalma's creation
of a rotating energy device (the "N-Machine"), that
(like stars and planets) apparently taps into the seemingly
"unlimited energy potential" of free space … to
gravity-defying, rapidly spinning and precessing,
massive systems. The latter is best exemplified by DePalma's
disconcerting discovery in the early 70's that – in opposition to all
ideas in current physics -- a rapidly spinning system (see graphic)
flies higher and farther against gravity than a non-spinning system!
extraordinary experiments in fundamental physics even included
observation of exotic biological effects experienced by living
organisms directly exposed to those mysterious "rotational
much of DePalma's most remarkable experimental data, after detailed
comparison with the theoretical predictions (produced from the geometric
decoding of "the Message of Cydonia") were found to elegantly
conform to Hoagland's "Hyperdimensional Model." These
impressive confirmations were not only included in later editions of
Hoagland's best selling history of the Cydonia investigations ("The
Monuments of Mars"), it was a highlight of his many invited
addresses to NASA over the years … and even at the UN! [...]
pieces of the
puzzle are coming together beautifully to form a coherent big picture...
Tesla certainly does appear to
be a key factor in the 'super torch ritual' and
we are encouraged to take his inventions and future visions seriously.
It's particularly interesting to note here that Tesla's 'Death
Ray' has been blamed
for the Tunguska
explosion, normally thought to have
been caused by a meteor/comet or, as recently reported in the news,
At this point we begin to
wonder: recall that Tesla's papers were confiscated by
Alien Property - an incidental hint perhaps? Hyperdimensional
physics is already a form of 'alien science' through its Cydonia
connection, and we have the following data points lending some support to this line of thinking:
connection is extraterrestrial in
the third US ionospheric research site; the others are located near the Arecibo
Observatory, Puerto Rico and near Fairbanks, Alaska. (Another one operating in Tromso Norway.) Arecibo Observatory is famous
for its association with SETI, i.e. Search for Extraterrestrial
Intelligence, as featured in the movie 'Contact'.
Tesla actually claimed
he regularly communicated with aliens.
More strikingly, there
was a remarkable 'crop circle' created in a wheat field near Alton Barnes, Wiltshire,
England, June 20 this year - less than 2 months before the
English papers reported
on this otherworldly creation:
the most intriguing crop formation seen in the West for years...
to experts, this pattern apparently represents a diagram of an electrical
transistor designed 100 years ago by the world's most mysterious inventor.
Crop circle experts say it is uncannily similar to plans for one of Nikola
Tesla's early pieces of equipment
Yes - Tesla! A crop circle,
ostensibly a message from 'aliens', alluding to Tesla just before the
Olympics... What are the odds?! (The Tesla angle in the story, which I
don't know is valid, may well have been something artificially added somewhere along
the process by an 'insider' involved in the 'super ritual'.)
This is a major gateway
leading us to the next Pandora's Box...
Close Encounter of the Third
It was through the 6-part Endgame
series that I began to notice the dark significance of the rise of Schwarzenegger (2003). It led to the
detection of the 'super torch/Venus/Lucifer ritual' earlier this year, discussed in the Lucifer
Time Code series, which in turn would point ahead to the Athens Olympics
as a key period - the climax of the torch ritual. And here we are now -
looking into the 'alien technology'/'Contact' theme found woven into the
a way we've come full circle. You
see, the driving force behind the Endgame series was a crop
circle - a decidedly alien-looking
It mysteriously appeared on/around August 14,
2002 - 225
days from the first day of the year, calendrically the same as
the opening day of the Athens Games which too came 225 days after January 1! The date
got shifted to August 13 because 2004 is a
leap year; it was apparently more important to keep the Venus number '225' rather than
the date (Aug. 14) in the year of Venus (2004).
Found 'digitally' encoded into the 'disk' of the crop glyph was the following
message (emphasis added):
Beware the bearers of FALSE
& their BROKEN PROMISES. Much PAIN but still time.
There is GOOD out there. We OPpose DECEPTION. Conduit CLOSING (BELL
As some have noted, the first part
clearly comes from the saying
'Beware of Greeks bearing gifts' deriving from the famous
mythological tale about the Trojan Horse. This year's Olympics were held in
The clues are overwhelming: the Athens Games were a big deal in the
realm of the symbolic/secret communication and Contact was its main theme.
And the theme, it turns out, was
already well underway by 2001, if not 2000,
through a series of crop glyphs. Here is from Endgame
Signs of Deception
One of the biggest movies
[of summer 2002] was Signs which deals with the mysterious crop
circle phenomenon. In real life, appearing almost concurrently with the
film was a remarkable crop "circle" in Hampshire, England [at
Crabwood Farm] depicting a cartoonish alien holding up a disk.
[The glyph was
created] on/around August 14, which is exactly one year after
another very similar formation appeared at Chilbolton Radio Observatory
just few miles away (see picture below).
© Steve Alexander
These crop glyphs
[attracted a lot of] attention - even Richard Hoagland discussed
it extensively - as it seemed to have been [a stylized] 'response'
interstellar SETI radio message transmitted in 1974 from the
Arecibo radio telescope to a potential
extraterrestrial civilization out there.
The original Arecibo message had a
pictorial section where Earth was pointed out as the home planet of the
race that sent out the signal; but [in the crop glyph] not just Earth but Mars (and
apparently the theoretical 'exploded
planets' between Mars and Jupiter, Planet K/V) was also marked - as if
to say that mankind is actually an 'interplanetary' race that has a close
connection to the Red Planet (and the 'exploded planets' which are now
the asteroid belt). Hoagland wrote:
alternative interpretation is that this line represents this
solar system with additional, now missing members … including an
unknown fourth and fifth planet, the latter orbiting
where the current asteroid belt resides. As noted earlier, the timing
of this glyph is startling – and highly "suspicious."
In our recently published "Tides"
paper, the original fourth and fifth planets have been destroyed.
This destruction then releases Mars (a satellite of one of these
former worlds) to become a new “fourth planet” on its own.
identical scenario eerily seems to be depicted in the Chilbolton
glyph. Why? And … why NOW?
In such a horrific scenario, these catastrophic events might have
triggered a desperate attempt to survive by sending refugees to Earth
(the only inhabitable planet remaining in the solar system). So,
is the glyph trying to tell us that an effort was made to implant the
dying populations genetic code in terrestrial life forms here on
Earth – thus accounting for the inference of "genetic
engineering" higher in the glyph … ultimately resulting in ourselves?
...[The] Martian link is seemingly reinforced by the accompanying 'face' glyph
which is quite evocative of the 'face on Mars'.
This is nearly identical to the Mission To Mars
scenario. It's probably safe to say that the crop formations and the Olympics
were designed to interact to convey a profound message -
the 1997 film Contact featuring Jodie Foster, the first alien
contact takes place through a video of Hitler making a speech in
1936... at the Berlin Olympic Games! It was at the Berlin
Games that the Olympic Torch relay tradition - the centerpiece of the
'super torch ritual' - came into existence. It turns out to be a decidedly Nazi ritual.
And the star of the Berlin Games was Jesse
Owens from the United States, whose nickname was 'Tan Cyclone' - the
familiar twister/circle theme again.
The hidden/occult star of the current 'super torch ritual' was/is Arnold
Schwarzenegger, also known as 'The Olympian', who famously has a
familial Nazi background.
Let me point out again: 1)
ominous rise in politics in summer/fall 2003 (through
the California recall
election) coincided with the historic close
encounter between Mars and Earth, 2) one of his most popular films is Total
Recall, a story about Mars, 3) in Twins Arnold is a genetically
engineered 'superman', 4) in the popular Terminator series
Arnold is a future cyborg that enters our world through a 'stargate', etc. etc. It's all there.
is prominent in Contact which deals with a massive blueprint of an alien hyperdimensional transporter machine
found encoded in the video of Hitler/Berlin
Olympics. It was this same theme that was woven into the Athens Olympics, as these pictures
alone can illustrate...
In hindsight the
connection was also intimated when the show began with a drumbeat intended to
mimic a heartbeat, just as the alien communication in Contact
begins with a heartbeat-like signal
picked up by the radio telescope.
It is also significant
was originally a novel written by Carl Sagan - who was no stranger
to the Cydonia/Mars investigation. Wrote Richard Hoagland:
...NASA's own quarter-of-a-century position on Cydonia
research, as well as those of its planetary scientists, has been
uniformly caustic; especially dismissive on the subject was the
well-known NASA "spokesman" on the theme of extraterrestrial
life, the late Carl Sagan. In his own repeated public
dismissals of Cydonia, Dr. Sagan's well-known scorn ranged from once
comparing the appearance of "the Face" to the random
appearance of "Jesus Christ on a tortilla chip …" to more
"technical" statistical denials:
not one postage-stamp sized mesa – out of the 150 million square
kilometers of Mars – that looks a little odd ..?"
privately, Sagan had a long and highly personal relationship
with Cydonia and its researchers: among other things, over the
years this involved several private briefings from Hoagland
himself and various members of his research team, including one where
Carl personally implored Hoagland to "keep up the good work."
This, while simultaneously … publicly … proclaiming a very
different view …
Sagan, just days after the release of the original Viking "Face"
image in 1976, frame 35A72, who pushed to have the Viking 2 landing site
switched from Cydonia -- on the grounds that it was a "rocky Northern
latitude." The Viking Team subsequently put the Lander down at an
even rockier and more northerly latitude -- but well away from Cydonia
later in this schizophrenic public/private Cydonia involvement,
Sagan authored what has come to be viewed as the definitive "Cydonia
hit piece." In this now infamous article, appearing in PARADE
Magazine in 1985 and titled, "The Man in the Moon," Sagan not
only sarcastically compared "the Face" to that infamous tortilla
chip (as well as to a "Richard Nixon eggplant!"), he published
artificially "colorized" versions of the object -- to bolster
his contention that "in a separate spacecraft photo with different
lighting, it seems to be an irregular hill …"
State University ethicist, epistemologist, historian of science and
Chairman of the Department of Philosophy, Dr. Stanley McDaniel, took Sagan
sharply to task for this grossly unfair article in 1993. In an exhaustive
published document titled, "The
McDaniel Report: On
the Failure of Executive, Congressional and Scientific Responsibility in
Investigating Possible Evidence of Artificial Structures on the Surface of
Mars and in Setting Mission Priorities for NASA’s Mars Exploration
Program," McDaniel showed not only the clear scientific errors of
all of NASA's years-long "objections" to Cydonia, but of the
high-profile Sagan "hit piece" as well. In that section of his
work, McDaniel methodically exposed the deliberately deceptive
tactics used by Sagan to advance his cavalier
"dismissals" of the Face, which included creation of deliberately
misleading images, labeling these outright "propaganda
near the end of his life, Sagan underwent his final public change
on the subject of Cydonia: in a 180-degree turn from the PARADE
article, he went out of his way to separate the "Cydonia
investigation" from the other, "pseudo-science" targets
of his last published work, "The
Demon Haunted World." In this final written statement of
his life, Carl Sagan deftly contradicted all his previous
"official" positions on Cydonia: pointing out that the Cydonia
investigation, as distinguished from most "extraordinary
claims," stood apart -- by having the one essential precept of
"good science" … it could actually be tested. He
concluded his "about face" by arguing that, as a clear
"scientific problem," Cydonia deserved to be fairly tested
in the coming years … via a veritable fleet of new missions then
heading back to Mars …
curiously, is precisely when NASA (and Russian) missions to the Red
Planet literally began to disappear …
Carl Sagan died while Contact
was being filmed - his final message still echoing
around the world as we speak...
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