May 13th, which
was just four days ago, marked the point exactly 9 months after the
opening day of the Athens Olympic Games where we witnessed the
theatrical climax of the 'Super Torch Ritual', as detailed in my Stargate
Cipher 2012 series. The main theme there spawned a key
decoding mechanism I've dubbed the 'Venusian
pregnancy time code' - a multi-layered time code involving the
human gestation period of
9 months, anchored most notably by the astronomical event of 2004,
Transit (June 8), when Venus passed directly in front of the Sun
disk as seen from Earth.
The Transit was preceded by the Madrid train bombings on March 11
and Janet Jackson's 'Nipplegate' during the Super Bowl halftime show
on February 1. The latter more or less kick-started what I call the
'Super Torch Ritual', a series of highly 'ritualistic' world events
with prophetic qualities. Nipplegate was a heavily encoded 'omen'
that transmitted symbological 'clues' concerning near-future events,
including Madrid's '311' bombings ('311' happens to be the police
code for 'indecent exposure', which Nipplegate was all about), Venus
Transit, US election, Athens Olympics, fall of the Pope, and such.
The Super Torch
Ritual simply cannot be separated from Venus (or Mary Magdalene,
Goddess, etc.) and the 'torch'. This was clear pretty much from the
beginning, but the 9-months pregnancy theme came to the forefront
only when heavily promoted through the storyline and imagery
transmitted at the opening ceremony in Athens.
I had no problem
getting the 'message' as I was already mindful of the underlying
Venusian context of the Games. It was that the Venus Transit, the
union of the Sun and Venus, was to be perceived as the latter
getting impregnated by the former. Nine months after this conception
event would therefore come the birth of the 'messianic'/'Grail'
child. I subsequently came up with the 'Venusian Pregnancy Time
Code' in which key events are neatly separated by 9 months, sort of
like an echo effect. An example would be Nipplegate/Super Bowl
giving rise to the US (as well as Ukraine) election 9 months later,
or Madrid '311' followed 9 months later by the Sun crossing the
Galactic Meridian (echoing the configuration of the Venus Transit),
It was indeed
largely thanks to this time code that I was able to easily identify
a key 'ritual event' on Dec. 8 last year that added more depth and
focus to the Super Torch Ritual.
It was the deadly shooting incident at a heavy metal concert in
Columbus Ohio that left among the dead the former guitarist of Pantera.
Pantera had transformed into an ostensibly new band called Damageplan
and this name seemed to have much to do with the symbolism of the
'ritual', along with an obscure but unmistakably encoded theme
of the Wizard of Oz, as well as the Columbus/Columbia theme
already heavily promoted by the preceding key events such as
Nipplegate that came on the anniversary of the space shuttle
As obscure as it
was, the Damageplan event was a major ritualistic 'omen'
event. It was indeed a 'damage plan' disclosed beforehand, and there
is no need to go over again how it enabled me to discern
the imminent exit of John Paul II in advance and to a lesser degree
the Sumatra quake/tsunami using the event's symbolism (I projected
that a 'damage' event was coming later in December but the nature of
the event was left vague).
obscure, but one aspect of the symbolism had to do with The Beatles
and particularly the 'Paul is dead' urban legend which I naturally
correlated with the theme of the exit of the Pope which I did
project as imminent. It's worth noting again that the Dec. 8th
shooting in Columbus came exactly 24 years after the death of John
Lennon who was similarly shot dead by a deranged fan. And that the
core songwriting team of The Beatles was John Lennon and Paul
McCartney - John and Paul... or 'John Paul' as in Pope John Paul II.
Naturally then I
went on to point out back in December that the 2005 Super Bowl's
halftime show would feature Paul McCartney and that this was a
highly significant coincidence especially given the nature of the
previous Super Bowl (Nipplegate). I made it clear that this game on
February 6 was to be viewed as a key 'ritual' portal. And of course,
it ended up coinciding with the first hospitalization of Pope JPII,
a sudden and fateful development that began February 1. So, you
know, can you say 'prophetic'?
reiterated my projection regarding the impending exit of the Pope the
day before his first hospitalization. (See this
link to see how this transpired.) There, my point was largely
based on the idea that the Sumatra tsunami catastrophe was a modern
Flood', which gave us the storyline of the Flood continuing for
'40 days and 40 nights' as per the Book of Genesis, the end of which
would be signaled by the dove bringing back an olive branch to Noah.
Counting 40 days from Dec. 26 would point to early February as the
'olive branch time'. The olive branch is a universal symbol of peace
and a theme shared by the prophetic motto St. Malachy gave
to the Pope who comes after John Paul II - 'Glory of the
Olive'. The implication, therefore I contended, was that JPII's time
was up and that the 'olive branch' represented by the next pope was
set to arrive.
papal development gave us all the more reason to expect something
out of the ordinary from the Super Bowl. And it certainly didn't
disappoint. So much so, in fact, that I haven't yet talked about its
'hidden messages' publicly - and I still won't fully delve into it
here. But there is an emerging need to touch on at least some
aspects of the symbolism, so here goes...
First, there was
much detected in the expensive ads during the game that clearly
carried the implication of acknowledging the underlying theme of the
'Great Flood' and 'Noah's Ark' extensively discussed on this website
after Sumatra. The most straightforward of such acknowledgements was
the Budweiser commercial. The following visual comparison alone
should be enough to make the point.
Perhaps even more
'in your face', though very much twisted, was the special episode of
The Simpsons aired right after the game. While Paul
McCartney's halftime performance was way too obscure for most to
even begin to decipher, the cartoon halftime show was indeed 'in
your face'. Yes, the storyline of The Simpsons had to do with
Homer producing a Super Bowl halftime show - thus in effect turning
the whole episode into a second halftime entertainment! And
because of this big twist, the 'clues' in it were incredibly
straightforward (it's a give and take kind of thing).
Homer ended up putting together for the fictional Super Bowl
audience was a direct reenactment of the story of the Great Flood!
It had the Ark, the dove (played by a dog), and everything. Thanks
to 'Bhang' in the forum (currently offline) we have the following
while just the tip of the iceberg, are enough to establish that
there was 'omenic communication' taking place there, just as
Now, where am I
going with this? Well... Indy 500 for starters. Turns out, the
3-week period covered by the 'Greatest Spectacle in Racing' in May,
coming 9 months after the Athens Olympics, very closely
matches the latter in duration. The 2004 Olympic Games were August
13-29 and Indy 500 including days of orientation, practice,
qualifying, and all that takes place May 8-29. The separation of 9
months between the two big sporting events is highly suggestive of
Indy 500 being an optimal setting for the projected 'birth' of the
messianic 'child of Venus'.
Note that the
main race there is scheduled for May 29, corresponding to August 29
(exactly 9-month apart) that saw the Olympics' closing ceremony. The
symbolic centerpiece of the ceremony was an enigmatic orange spiral
placed at the center of the stadium about which much has already
been discussed here at Etemenanki. It was this spiral -
interpreted as an allusion to the 'Fibonacci
spiral' - that really promoted the phi or Golden
Ratio-driven nature of the time codes underlying
the ritual complex. The relevance of Wizard of Oz, reinforced
later by the Damageplan event, originated here as well.
Going round and
round... And that's what the Indy 500 is all about, isn't it? Fast
cars on an oval track going round and round ad nauseam.
year's Indianapolis 500 featured Jessica Simpson singing the
to The Simpsons? Farfetched? Well, check this out. Jessica
Simpson performed at the 2004 Orange Bowl halftime show,
which was followed this year by her sister, Ashlee Simpson, taking
the stage in Miami on January 4- even making
news by managing to draw a chorus of boos from the big crowd.
the idea of 'football halftime' and 'the Simpsons' had become
closely linked even before the 2005 Super Bowl... And the characters
in The Simpsons are of course decidedly yellow/orange,
which does help to fill the gap between the Orange Bowl and the
Super Bowl. (The Athens spiral and the Wizard of Oz spiral
are both orange as well.)
here is the general shape of the stage and the surrounding design
that accompanied both halftime shows. In each case, the wide-angle
shots revealed a cross or X shape.
Super Bowl Halftime
But there was
more justification for bringing the Orange Bowl into all this. This
was the theme of the color orange that began to emerge last year,
beginning with the orange jumpsuit that stood out in the shocking
videos showing gruesome beheadings in Iraq, most famously that of Nicholas
Berg. And then there was the 'Orange
Revolution' of the Ukraine presidential election that closely
coincided with the election in the US last November. This year saw
the orange alien world of Saturn's moon Titan where the Huygens
January 14, and then the enigmatic art project that invaded NYC
Central Park in February featuring a massive 23-mile long orange 'Gates'.
coincidence in terms of symbolism that Saturn's moon Titan is
involved here, Saturn being the planet/god of time and the leader of
the Titans. The combination of time and orange here has the effect
of evoking A
Clockwork Orange, a 1962 novel by Anthony Burgess later made
into a movie directed by Stanley Kubrick of 2001: A Space Odyssey.
Why the allusion? First, the Kubrick/2001 connection... but that's
for later. Second, the storyline involves a form of mind control
(aversion therapy) which has become a key theme in the Super Torch
Ritual. We have, for example, the Wizard of Oz symbolism that
has much to do with government MK-ULTRA-related mind-control
programs like the trauma-based conditioning operation called Project
The third encoded
'signal' there would be... U2. Yes, the Irish rock group. We're
about to see that it is by design that the 'hidden communication'
seems to prefer music/musicians as carriers of the information at
this time. Turns out, the Royal Shakespeare Company's theatrical
version of A Clockwork Orange used songs composed by U2 (Bono
& 'the Edge') especially for the production. Now consider this:
U2 performed at the 2002 Super Bowl halftime show and U2's new video
for their single All Because of You debuted
during halftime of the 2005 Orange Bowl - where the second of 'the
Simpsons' also performed. Almost certainly by design, U2's music was
featured prominently at key points of the 2005 Super Bowl broadcast.
U2? Oh, where to begin... Look at the art design of U2's latest CD
for instance - concentric circles. It continues the spiral theme
pushed at the Olympics (closing ceremony). The Oz association that
came along with it was reinforced by the Damageplan/Columbus
shooting 'ritual' early December '04 and it was exactly around that
time that the first single off U2's 'How To Dismantle an Atomic
Bomb' CD was topping
the pop music charts.
I've commented before about the 'atomic bomb' theme that's ominously
shared by the title of the U2 album and the cover design of Damageplan's
CD, said to be in reference to atomic bombs. But it is U2's music video
for the single Vertigo that really speaks to us... in code.
In it, the
centerpiece is a big concentric circles in a desert, on which U2 is
shown performing their song. The ground starts to shake violently
and it gets very windy, somehow causing visually-striking streaks of
black smoke to come out of each members of the band.
movement of the earth (=> imbalance => vertigo) becomes
significant when seen in the context of the Sumatra catastrophe that
came later that month (December). The concentric circles actually
being a 'target' symbol, and that combined with the notion of
'damage plan', we get the sense that Sumatra was a carefully
quake (Dec. 26) came exactly 360 days after New Year's Day - a
number expressive of a circle.
quake came exactly one year after another catastrophic quake, in
Iran (Bam) - corresponding to Earth's orbit around the Sun,
completing a full circle.
quake epicenter can be pinpointed
using the meridional 'great circle' going through
Columbus and the equatorial great circle (the only possible
latitudinal great circle). 'X marks the spot.'
symbol in U2's video can also be interpreted as the alchemical symbol
'Sumatra' means 'Isle of Gold'.
Here we also come
back to 'orange' as, if split into two words 'or' and 'ange',
it would mean 'gold angel/messenger' in French - as if to say that
the 'gold' is the encoded 'message'. And of course I have already
talked a lot about how phi or the Golden Ratio
(1:1.618) is a vital element in the time codes underlying the Super
Torch Ritual (see my previous posts). This directly interacts with
the fact that Venus is traditionally and with good reason
represented by the pentagram, a symbol which encodes within its
geometry the phi ratio.
Now recall the
orange world of Titan and the prevalent theme of music. Turns out,
the Huygens probe sent all the way to that moon of Saturn carried
onboard a CD recording of music - a 'fun' project dubbed 'MUSIC2TITAN'.
Its logo should strike you as undeniably familiar...
More on U2 later,
but at this point we have established quite solidly, as far as
symbology is concerned, the coherence exhibited by the fabric of
secret communication surrounding the Orange Bowl and, even more, the
Super Bowl. There is of course much more to all this, but
already enough for the purpose of this particular post. In this one
I'd like to focus more on the Super Bowl clues and the significance
of the Indy 500.
As said at the
beginning, the great car race in Indianapolis will be held exactly 9
months after the appearance of the big spiral - analogous to
concentric circles - at the closing of last year's Athens Games. And
it is my view that 'omen' aspect of the 2005 Super Bowl, whose
symbolism too can be traced back to Athens as just demonstrated,
communicated much that has to do with Indy. It is comparable to the
way last year's Super Bowl pointed ahead to the Olympics. And
we already know how that one turned out. The Games in Athens were
a treasure trove of 'prophetic clues'. Indeed, I'm writing
posts like this because of the unnerving 'riddle of the
sphinx' game initiated and detected at the Olympics.
In any case, what
I thought was strange about Paul McCartney's SB halftime performance
was his song selection - particularly the opening song, which was
'Drive My Car'. A song not special in anyway, not well known, not
that inspiring, and... well, it's frankly a boring song. So why did
Paul choose 'Drive My Car' (I'm not implying McCartney's conscious
participation in the 'ritual') to open his set at the big event,
which was clearly not a place to be experimental? That was an
anomaly and anomaly usually means opportunity in the game of
Here is the
beginning portion of the song lyrics:
a girl what she wanted to be
She said baby, can't you see
I wanna be famous, a star on the screen
But you can do something in between
Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And baby I love you
So we have here -
a girl, a star, and driving a car. The 'star' reference is
by the shirt McCartney wore on stage which bore only one symbol on
it - a five-pointed star, or the pentagram. The
symbol of Venus associated with the Golden Ratio. But it's also the Pole
Star (Polaris) not only because it's a 'Paul Star' but also
because the name 'McCartney' means 'son of the bear' which gives us
Ursa Minor or the 'Little Bear' constellation to which the Pole Star
belongs. As viewed from Earth, all the stars appear to circle around
this star just as Indy Cars do running on the circular course.
Patrick, a 23-year old rookie IndyCar driver who is currently
the sole female participating in the series. The name 'Danica'
means 'morning star', which is another name for Venus or
Lucifer the light bringer. If you take a look at her race car,
you'll see that the most prominent symbol visible is a torch
- highly suggestive of the (Olympic) torch theme running through our
Super Torch Ritual.
So here we have
all the key ingredients including the three elements suggested by
'Drive My Car' - i.e. girl, star, and driving/car. Add to this the
fact that Danica is literally a 'rising star' who nearly
won the pole position (= #1 starting spot) in the IndyCar race in
Japan immediately preceding the Indy 500 where she led 32 laps.
There was even a realistic
chance that she would get the pole position at Indy (she came in
fourth as determined on 'Pole Day', last Saturday/Sunday).
implication behind 'Drive My Car' would be its function as a clue
hinting at the significance of car commercials during the game. I
don't want to go deeply into this subject, but one of the
recurrent catch-phrases was Cadillac's '0
to 60 under 5 seconds'. As it happens, since last August Danica
has been doing a regularly scheduled 60-second news segment on Spike
TV called 'Zero To Sixty' which covers everything automobile.
So needless to
say I'm now monitoring her and the Indy 500 in general closely. It's
still difficult to project a storyline but if Danica makes history
by becoming the first woman driver to win the race, and it appears
quite plausible, we'll have the birth of a (morning) star which can
be correlated with the pregnancy time code stemming from the
Venusian Olympics 9 months ago. Her win would also counterbalance
the 'birth' of Pope Benedict XVII last month which, as we've
discussed here before, transmitted the symbolic concept of imbalance.
This was first indicated by means of the 'Judgment Day' time code,
apparently suggesting that his ultra-conservative and anti-female
mentality goes against the balance that the 'matrix' of reality now
seeks to achieve ('or else...'). In this context, Danica Patrick's
unprecedented triumph in men's sport would certainly be a fitting
way of offsetting the excessive patriarchal push. She would
in a sense represent an 'anti-pope'. In this light it's certainly
appropriate that Danica's car # is '16' to challenge Pope Benedict's
own 'XVI' (16).
But as always we
should stay open to other storylines. Perhaps, especially now that
its ritualistic nature has been brought to light, we're in for one
of those subtle and convoluted 'omen'-type signaling sessions.
through the notion of 'balancing', the 'Judgment Day' theme comes
into play here. Just as anticipated this was the biggest symbolic
storyline woven into the fabric of world events this spring. But it
was also coming alive via the presidential elections in the US and
Ukraine ('Orange Revolution') last fall/winter - the ultimate
political 'judgment day'. The numeric value of Election Day in the
US (November 2), '112', has been one of the key numbers found
encoded in the multi-leveled time code complex we have going for the
Super Torch Ritual. It is actually an alter ego of '911' for two
very good reasons: 1) in Europe/EU the emergency #, which in the US
is 911, is '112', and 2) adding 112 days to 9/11 brings us to New
Year's Day (9/11 in the Coptic calendar is usually the first day of
demonstrate the 'Judgment Day' concept attached to '112' in the
ritual system, we can try adding 112 days to Nov. 2, '04 (in effect
adding 112 to '112'). This gives us Feb. 22, '05 - a date heavily
used in the 'Balanced Judgment Day Time Code' that's inseparable
from the idea of balance vs. imbalance (see illustration right; see
And then we have
12/08/04 + 112 (+1) = 03/31/05
2) 12/26/04 + 112 (+1) = 04/18/05
3) 01/01/05 + 112 (+1) = 04/24/05
adjustment is consistent with the usual '+/-1' buffer zone that
seems to be employed in the codes frequently. In this case there is
also the additional factor of '113' being the reverse of '311' which
is yet another major, and original, 'Judgment Day' number backed
up by Terminator 3 (a film about Judgment Day) and the
Madrid train bombings on '3/11' that was widely compared to 9/11.
#1 above is from
the Damageplan/Columbus shooting event (coinciding with
the Sun crossing the Galactic Meridian) to the death of Terri
Shiavo whose near-death days in March closely paralleled those
of Pope John Paul II and it was widely viewed as such. The
high-profile death coincided with a major planetary alignment in the
solar system and followed immediately in a day or two by the passing
of the Pope. It was also closely preceded by the second deadly
Sumatra quake three days earlier (March 28).
#2 is from the
Sumatra quake/tsunami to the beginning of the papal election which
saw black smoke rising from the chimney signaling unsuccessful
voting sessions. (The black smoke directly interacts with the 'black
wind' of U2's Vertigo video.)
#3 is from New
Year's Day to the official installation of Pope Benedict XVI.
And here is the
'kicker'... (pun intended): Add 112 days to the Super Bowl day this
year, which was February 6, and we get May 29 - the day of
the Indianapolis 500! So again, if nothing else, Indy seems to have
the function of a time marker and chances are that it will produce
significant clues in some way that conform to the ongoing pattern.
'As above, so
below': Let me bring your attention to a series of significant
celestial configurations coming up this May and June:
or so will have Venus crossing the Galactic Meridian (GM) - a
'signature configuration' of the Super Torch Ritual.
later Venus will reach the Galactic Equator, which is the
centerline of the Milky Way, on ~June 3. This is made
more special by the coincidence of being accompanied by the
conjunction of the Sun and Mercury taking place simultaneously.
(Mercury's role in the STR cannot be underestimated.)
On ~June 6
Mercury will be at the GM, which is an echo of the 12/26/04
Sumatra configuration. During this window of 6/6-7 we'll also
see a tight gathering of Mercury, the Sun, and the (New) Moon.
anniversary of last year's Venus Transit, which would be June
8, the Sun will again cross the GM. (Mercury crosses the
Galactic Equator June 11.)
Mercury, and Saturn will be together around June 27.
Mercury will be moving together from late June through mid-July.
This configuration mirrors a similar planetary dance that began
around the time of the Sumatra 'Great Flood'.
So a collection
of key dates coming up, and it can easily be inferred that we're now
entering a pretty big window capable of producing 'major shift'
It's worth noting
that orange, or 'or-ange', carries a strong allusion to the
combination of the Sun and Mercury. 'Or', as we've already
discussed, means 'gold', which in turn is symbolized by the 'circle
with a point at the center' pictogram. But the same is also a
traditional symbol of the Sun. Gold and the Sun are in effect
interchangeable - and this is a major key to deciphering the puzzle.
'Ange' on the other hand denotes 'angel'/'messenger' thus also
Mercury, the Roman messenger god. 'Or-ange', therefore, is 'Sun-Mercury'.
Check this out:
The Sun and
Mercury were united around 12/9/05, closely coinciding
with the Damageplan 'ritual' event (12/8) and the Sun
crossing the GM.
The two were
reunited around 2/14/05 which saw the Windsor Tower fire
in Madrid, a major event in the Super Torch Ritual, as well as
the beginning of the orange 'Gates' in Central Park
meeting was also joined by Venus at the end of March,
making it even more special. It saw Sumatra #2 (3/28), the death
of Terri Shiavo (3/31), and the death of the Pope (4/2).
Sun-Mercury conjunction is June 3-4, accompanied by Venus
crossing the Galactic Equator. This same date (June 4) is also
yielded by the '112' code, as adding 112 days to 2/12/05 (the
beginning date of the NYC Orange Gates and the Madrid fire)
gives us June 4th.
So it is around
the beginning of June that seems to be particularly intense in terms
of pattern manifestation. The Indy 500 should play a part in this,
though it probably represents just one piece of 'damage plan' puzzle
Now, I will
reveal what is likely the 'main event' of 2005...
Let's begin with
this image, from U2's Vertigo video:
the 'message' becomes painfully clear. They key is the
aforementioned gold-Sun interchangeability. Both are denoted by the
same symbol - the very same 'circle and a dot in the middle'
configuration depicted in the Vertigo video. Now combine this
implication with the enigmatic black smoke/winds. The Sun and wind.
What we have here
is, unmistakably, an allusion to the solar wind! The same
solar wind/flare that disturbed
the geomagnetic field of Earth just this Sunday.
storm came well after I had formulated my 'solar wind'
interpretation and I'm not exactly happy about the timing because it
took novelty out of this information. But this was in my view just a
little precursor to what's about to hit our planet... hard.
Let's take a look
at the Windsor Tower fire. It coincided with the raising of
the 'Orange Gates' in Central Park and has been treated as something
of an 'anchor' for the 'Judgment
Day Time Code' that was found to be driving key events of the
winter/spring period. As you can see in the picture below, it was a
major 'torch' event visually. Its ritualistic significance was
reinforced through Prince Charles' wedding - a highly significant
development for the House of Windsor - that was originally
scheduled to take place April 8 before it was pushed back a day due
to Pope JPII's funeral taking place on that day, which 'just
happened' to be celestially marked by a solar eclipse.
the term 'Windsor' had emerged as a commonality linking up key
'ritual' events. Taking a closer look at 'Windsor', we realize that
it can be seen as a combination of 'Winds' and 'or'. Following the
familiar equation of 'or = gold', we'd get 'winds gold'. Further,
through the gold-Sun interchangeability, we'd have 'winds sun', or
'sun winds' - yes, 'solar wind' again.
connection here is well supported by the Pope-'Windsor' linkage
established via April 8. Well, first of all, the fact that there was
a solar eclipse that day is suggestive enough. But bringing
home the point was John Paul II being a pope dubbed 'of the Labor
of the Sun' by the now-famous prophetic motto of St.
Malachy. It needs to be realized that solar flares are produced
as a result of the Sun's magnetic field becoming all tangled up or
'labored', as in 'labor of the Sun'.
wind-pope connection also finds resonance in the fact that the
conclave for the election of the next pope, beginning on April 18,
was inevitably associated with the imagery of a black smoke coming
out of the chimney to signal an unsuccessful session. It was
certainly evocative of the black winds in U2's Vertigo video.
Let's now go back
to the Damageplan event that is heavily intertwined
with Vertigo. As mentioned before, Damageplan is essentially
an updated version of Pantera, well known in the heavy metal
community worldwide. Aside from its 'Pan Terra' ('whole earth')
insinuation which is a can of worms we won't open here, Pantera
brings to mind 'Pandira', father
of Jesus (thus Jesus was sometimes called 'ben Pandira'/'son of
Pandira'). Its Egyptian version was 'Pa-ntr-ra', meaning 'the
god Ra' - Ra being a sun god.
of the heavy-metal guitarist Dimebag Darrell Abbott was analogous to
the fall of a heavenly stone, meteorite, or 'shooting star' - and
Dimebag was indeed a 'star' who was 'shot' by a deranged fan.
Meteorites are well known for often containing iron or 'metal' as in
'heavy metal'. In ancient Egypt the capstones of pyramids and
obelisks were, or traditionally viewed as, 'Benben Stones', often
thought to have been meteorites.
The Benben Stone was traditionally worshiped in Heliopolis
- the 'City of the Sun' - and as such it was in effect also a 'Sun
Stone'. Its alter egos include the 'All-Seeing Eye' infamously
printed on the back of the US dollar bill. And in a more stylized
form it is also seen on the state flag of Ohio, the capital of which
is Columbus where Dimebag - a 'metal star' - 'fell'.
The Benben Stone
was considered to be a form of 'seed' and carried decidedly sexual
connotations. It was the 'seed stone' or 'foundation stone'. It
seems not accidental that 'ben' as in 'ben Pandira' has the meaning
of 'son'. The name 'benben' would therefore carry the curious
implication of 'son son', or should that be 'sun sun'? Sounds familiar?
The Benben Stone
was for all intents and purposes a 'Genesis stone' - the original
seed that, in the form of a heavenly rock, came down from heaven.
The process is known as Panspermia. If
you recall, this exactly corresponds
with the main
theme of the opening ceremony of the Athens Olympics. I have
also noted last year that within two weeks following the end of the
Games the same theme was reenacted with more realism. This was the
crash of NASA's Genesis
probe coming down from outer space, falling
hard into the ground of the Utah desert.
Utah, of course,
hosted the 2002 Winter Olympics in 2002, which started on February
8, merely 5 days after the Super Bowl that year. Who was the
halftime entertainer back then? None other than... U2! You can't
make this stuff up... As if that weren't enough, the Olympic torch
tower erected in Salt Lake City was a DNA double-helix... the
And... have I
mentioned that 'U2' sounds like 'Utah'? It does, doesn't it? :) It's
almost humorous, but there is actually something quite serious and
highly sophisticated going on under the surface - which we won't go
into in this post. (If you think this symbology stuff is about being
imprecise, you're sadly mistaken.)
In any case, the
Genesis probe was coming back from the Sun! Not only that,
its mission was to collect and bring back solar wind
particles! As the space capsule crashed into the earth, so did the
solar-wind samples carried onboard. In a sense, this was the solar
wind severely hitting our planet!
It took place on
September 8 - a day marked by a special celestial alignment
(as viewed from Giza/Cairo) associated with the Athens Games. Given
the cosmic seeding (Panspermia) storyline here, the 9-month
pregnancy theme also comes into play. And it's none other than the
anniversary of the Venus Transit, June 8 ('05), that will mark the
projected 'birth' date! The Transit was the ultimate manifestation
of the Venusian 'conception', and so the 'birth' from a secondary
conception event (Genesis) taking place exactly one year later makes
6/8/05 a particularly special date in the pattern.
It was immediately
clear to me that the Genesis crash was a major 'ritual' event and as such I
commented in Stargate Cipher 2012: 'it seemed to carry the
message "if you don't get this, you just don't get it"'. I
September 8 - the day marked by the Venus-Saturn-Moon-Galactic
Center-due east alignment at Giza - came another 'in your face'
I highlighted 'in
your face' here because... (cue Twilight Zone music) of the
following scene from the 2005 Super Bowl episode of The Simpsons
discussed earlier. See these images (thanks again to 'Bhang'):
pyramid... as Homer commented: 'Don't forget showboating. That's the
cornerstone of my pyramid of success'. The 'cornerstone' is at the
right corner of Homer's pyramid but more esoterically the
cornerstone would correspond to its capstone, the Benben/Genesis
Stone. And there we have 'IN YOUR FACE' written in by Homer. What's
more, right above it is drawn... yes, the Sun. And what's written
inside the Sun? 'Crotch Grabbing'. (I'm going with Bhang's
comment here as I didn't get to see this particular scene.) The
sexual nature of this Sun certainly reinforces the emphasis on the
Benben/Sun/Genesis Stone which as already mentioned was in essence a
stone of sex/seeding.
it begs the questions: Was the phrase 'in your face' Homer gave to the 'Genesis stone' a 'wink wink' gesture... to those familiar
with this very website you're'
This obscure little place called Etemenanki? Of course that
sounds ridiculous. And yet there is the remarkable fact that
it was only on this website that the idea of Sumatra being a modern
'Great Flood' - the Great Flood being the main theme of the Simpsons
episode - was extensively discussed. Not only that, it was as far as
known only this website that had pointed ahead to the Super Bowl
halftime (Paul McCartney) as a 'ritual window' that should be
closely monitored in this 'Great Flood' context.
me note again that the emerging significance of The Beatles was
detected while I was looking into the Damageplant 'ritual' in
Columbus, an event that came exactly 24 years after John Lennon was
similarly murdered. It was a 'ritual' that came right before the
Sumatra 'Flood'. I've noted that the name 'Columbus' derives from
Columba the dove, specifically Noah's dove that he released from the
Ark at the end of the Great Flood. The previous Super Bowl (2004)
was held on the anniversary of the disaster of the space shuttle
'Columbia' - another name coming from Columba. Etc. etc.
to all this the fact that I used the expression 'in your face' not
once but twice in the two paragraphs in Stargate Cipher
2012: Part 2 where I began to talk bout the Genesis space
probe, as you check below:
'message' indeed began to emerge with Hurricane Frances, the
second in the series, making landfall on September 5 - just days
after the end of the Athens Games and just days before the Petros
VII's fall from the sky. Hurricane Frances, viewed as 'turning
Frances', would become an 'in your face' reference to the
'Tour de France' theme! (The 'French Revolution' is also hinted
here but that's for another time.)
Just three days later on September 8 - the day marked by the
Venus-Saturn-Moon-Galactic Center-due east alignment at Giza -
came another 'in your face' signature event.
The event was the crash landing of NASA's Genesis probe
returning from the Sun...
Cue the Twilighit
Zone music again... and I guess that's enough on this particular
issue. Just thought it was worth mentioning. (Amusing, no?)
as hinted in the excerpt above, the summer of the Athens Olympics
was also a summer of Florida hurricanes. In an unprecedented
development, four major hurricanes struck Florida in 2004 in a short
period time. It was from Florida that Genesis was launched in
2001 and it is in Florida (Miami) that the Orange Bowl is
held annually. Further, the hurricanes and the Olympics definitely interacted
on a symbolic level. For starters there was the 'spiral' connection.
Hurricanes are spirals of wind, after all. And the first of the
Florida hurricanes, 'Charley', made landfall on the opening day of
the Athens Games as if to make a point.
And indeed there
was an important point being made. This is not difficult to decipher
once you realize that Florida is known as the 'Sunshine State'. So
hurricanes, or winds, striking Florida was conceptually... 'Sunshine
wind'... or, of course, solar wind!
harder and harder to deny that we are detecting a coherent
and redundant 'message' here. And this even goes for the ALTA
web bots data I've been bringing up in recent posts. Here are a
couple of snippets from the most recent piece published at Half
Past Human (ALTA 605 Part 5, published 5/15/05), continuing on
the theme of the coming major collective 'tipping point' and the
of the Sun:
it would sort of be expected to find the short term impact
values rise disproportionately along with the rise of so many
tipping points, we nonetheless have an impression that the scale
involved is more extreme than would be expected. An impression
only. Statistical analysis does show a preponderance of
immediacy values over long term that is extreme in our
experience, but we have to also state that never before have
we encountered this situation of so many entities engaging in
tipping point behavior. That so many are involved, exiting
or rising into tipping point *must* have an impact on
processing, however, we are not able to quantify that impact
now. Is our processing during such an active tipping point
period magnifying effects? We can't say. [...]
curious note is the intermingling of cross links through both
Populace entities back to the Terra entity where they terminate
in a cluster of internally cross linked references to the 'sun'.
Further we also find the word 'sun' as a bespoke value
within all of these attribute sets. Within these we get images
such as 'seeing the change in the south' as well as 'sun at its
zenith, illumination of the destruction of the past'. And
such as 'maturing situation precedes transformation'.
We also recall
the previous ALTA data mentioning 'sky fire'...
Anyway, the key
message coming through generally concerns the the winds from the
Sun driven by energy ultimately generated by the nuclear
fusion process taking place inside the star. This can explain the
'atomic bomb' theme running through the 'ritual' events such as
those involving Damageplan and U2. But that's not to say that
the theme doesn't have more earthly implications, particularly the
situation involving Iran, which is clearly part of the 'omen
message' as well. It's, again, 'as above, so below'.
of the 'wind' or 'air' can also justify the
prevalence of the music theme (Janet Jackson, Damageplan, U2, Music2Titan, Simpson
sisters, Paul McCartney, etc.). Music is after all nothing but
harmonic and rhythmic vibration of the air.
And we seem to
detect further messages in the secret communication from 'Enki' that
unsettling. I will continue this in Part 2, but... it appears we're
looking at a 'pole shift' in 2005-2006. It's not necessarily clear
or perhaps not even 'decided' yet how literal its manifestation is
going to be, but the pattern or 'signal' is there.
Also, have you
heard of... 'chemtrails'?
like the fresh smell of poison in the air, eh? Doh!
Get ready to step
into the looking glass... The fire of Lucifer is contact.
To be continued
in Part 2...
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