|
May
13th, which was just four days ago, marked the point
exactly 9 months after the opening day of the Athens
Olympic Games where we witnessed the theatrical
climax of the 'Super Torch Ritual', as detailed in
my Stargate
Cipher 2012 series. The main theme there
spawned a key decoding mechanism I've dubbed the 'Venusian
pregnancy time code' - a multi-layered time
code involving the human gestation period of
9 months, anchored most notably by the astronomical
event of 2004, the Venus
Transit (June 8), when Venus passed directly
in front of the Sun disk as seen from Earth.
The Transit was preceded by the Madrid train
bombings on March 11 and Janet Jackson's
'Nipplegate' during the Super Bowl halftime show on
February 1. The latter more or less kick-started
what I call the 'Super Torch Ritual', a series of
highly 'ritualistic' world events with prophetic
qualities. Nipplegate was a heavily encoded 'omen'
that transmitted symbological 'clues' concerning
near-future events, including Madrid's '311'
bombings ('311' happens to be the police code for
'indecent exposure', which Nipplegate was all
about), Venus Transit, US election, Athens Olympics,
fall of the Pope, and such.
The
Super Torch Ritual simply cannot be separated from
Venus (or Mary Magdalene, Goddess, etc.) and the
'torch'. This was clear pretty much from the
beginning, but the 9-months pregnancy theme came to
the forefront only when heavily promoted through the
storyline and imagery transmitted at the opening
ceremony in Athens.
I had
no problem getting the 'message' as I was already
mindful of the underlying Venusian context of the
Games. It was that the Venus Transit, the union of
the Sun and Venus, was to be perceived as the latter
getting impregnated by the former. Nine months after
this conception
event would therefore come the birth of the
'messianic'/'Grail' child. I subsequently came up
with the 'Venusian Pregnancy Time Code' in which key
events are neatly separated by 9 months, sort of
like an echo effect. An example would be
Nipplegate/Super Bowl giving rise to the US (as well
as Ukraine) election 9 months later, or Madrid '311'
followed 9 months later by the Sun crossing the
Galactic Meridian (echoing the configuration of the
Venus Transit), and such.
It
was indeed largely thanks to this time code that I
was able to easily identify a key 'ritual event' on
Dec. 8 last year that added more depth and focus to
the Super Torch Ritual.
It was the deadly shooting incident at a heavy metal
concert in Columbus Ohio that left among the dead
the former guitarist of Pantera. Pantera
had transformed into an ostensibly new band called Damageplan
and this name seemed to have much to do with the
symbolism of the 'ritual', along with an obscure but
unmistakably encoded theme
of the Wizard of Oz, as well as the
Columbus/Columbia theme already heavily promoted by
the preceding key events such as Nipplegate that
came on the anniversary of the space shuttle
Columbia disaster.
As
obscure as it was, the Damageplan event was
a major ritualistic 'omen' event. It was indeed a
'damage plan' disclosed beforehand, and there is no
need to go over again how it enabled me to discern
the imminent exit of John Paul II in advance and to
a lesser degree the Sumatra quake/tsunami using the
event's symbolism (I projected that a 'damage' event
was coming later in December but the nature of the
event was left vague).
Again
very obscure, but one aspect of the symbolism had to
do with The Beatles and particularly the 'Paul is
dead' urban legend which I naturally correlated with
the theme of the exit of the Pope which I did
project as imminent. It's worth noting again that
the Dec. 8th shooting in Columbus came exactly 24
years after the death of John Lennon who was
similarly shot dead by a deranged fan. And that the
core songwriting team of The Beatles was John Lennon
and Paul McCartney - John and Paul... or 'John Paul'
as in Pope John Paul II.
Naturally
then I went on to point out back in December that
the 2005 Super Bowl's halftime show would feature
Paul McCartney and that this was a highly
significant coincidence especially given the nature
of the previous Super Bowl (Nipplegate). I made it
clear that this game on February 6 was to be viewed
as a key 'ritual' portal. And of course, it ended up
coinciding with the first hospitalization of Pope
JPII, a sudden and fateful development that began
February 1. So, you know, can you say 'prophetic'?
Indeed,
I reiterated my projection regarding the impending
exit of the Pope the day before his first
hospitalization. (See this
link to see how this transpired.) There, my
point was largely based on the idea that the Sumatra
tsunami catastrophe was a modern 'Great
Flood', which gave us the storyline of the
Flood continuing for '40 days and 40 nights' as per
the Book of Genesis, the end of which would be
signaled by the dove bringing back an olive branch
to Noah. Counting 40 days from Dec. 26 would point
to early February as the 'olive branch time'. The
olive branch is a universal symbol of peace and a
theme shared by the prophetic motto St. Malachy gave
to the Pope who comes after John Paul II -
'Glory of the Olive'. The implication, therefore I
contended, was that JPII's time was up and that the
'olive branch' represented by the next pope was set
to arrive.
 The
papal development gave us all the more reason to
expect something out of the ordinary from the Super
Bowl. And it certainly didn't disappoint. So much
so, in fact, that I haven't yet talked about its
'hidden messages' publicly - and I still won't fully
delve into it here. But there is an emerging need to
touch on at least some aspects of the symbolism, so
here goes...
First,
there was much detected in the expensive ads during
the game that clearly carried the implication of
acknowledging the underlying theme of the 'Great
Flood' and 'Noah's Ark' extensively discussed on
this website after Sumatra. The most straightforward
of such acknowledgements was the Budweiser
commercial. The following visual comparison alone
should be enough to make the point.
 |
 |
| Noah's
Ark |
Budweiser
ad |
Perhaps
even more 'in your face', though very much twisted,
was the special episode of The Simpsons
aired right after the game. While Paul McCartney's
halftime performance was way too obscure for most to
even begin to decipher, the cartoon halftime show
was indeed 'in your face'. Yes, the storyline of The
Simpsons had to do with Homer producing a
Super Bowl halftime show - thus in effect turning
the whole episode into a second halftime
entertainment! And because of this big twist, the
'clues' in it were incredibly straightforward (it's
a give and take kind of thing).
Basically,
what Homer ended up putting together for the
fictional Super Bowl audience was a direct
reenactment of the story of the Great Flood!
It had the Ark, the dove (played by a dog), and
everything. Thanks to 'Bhang' in the forum
(currently offline) we have the following
screenshots:
These
alone, while just the tip of the iceberg, are enough
to establish that there was 'omenic communication'
taking place there, just as anticipated.
Now,
where am I going with this? Well... Indy 500 for
starters. Turns out, the 3-week period covered by
the 'Greatest Spectacle in Racing' in May, coming 9
months after the Athens Olympics, very closely
matches the latter in duration. The 2004 Olympic
Games were August 13-29 and Indy 500 including days
of orientation, practice, qualifying, and all that
takes place May 8-29. The separation of 9 months
between the two big sporting events is highly
suggestive of Indy 500 being an optimal setting for
the projected 'birth' of the messianic 'child of
Venus'.
Note
that the main race there is scheduled for May 29,
corresponding to August 29 (exactly 9-month apart)
that saw the Olympics' closing ceremony. The
symbolic centerpiece of the ceremony was an
enigmatic orange spiral placed at the center of the
stadium about which much has already been discussed
here at Etemenanki. It was this spiral -
interpreted as an allusion to the 'Fibonacci
spiral' - that really promoted the phi
or Golden
Ratio-driven nature of the time codes underlying
the ritual complex. The relevance of Wizard of
Oz, reinforced later by the Damageplan
event, originated here as well.
Going
round and round... And that's what the Indy 500 is
all about, isn't it? Fast cars on an oval track
going round and round ad nauseam.
Curiously,
last year's Indianapolis 500 featured Jessica
Simpson singing the National Anthem...
Possibly
related to The Simpsons? Farfetched? Well,
check this out. Jessica Simpson performed at the
2004 Orange Bowl halftime show,
which was followed this year by her sister, Ashlee
Simpson, taking the stage in Miami on January 4-
even making
news by managing to draw a chorus of boos from
the big crowd.
 So
the idea of 'football halftime' and 'the Simpsons'
had become closely linked even before the 2005 Super
Bowl... And the characters in The Simpsons
are of course decidedly yellow/orange, which
does help to fill the gap between the Orange Bowl
and the Super Bowl. (The Athens spiral and the Wizard
of Oz spiral are both orange as well.)
Another
bridge here is the general shape of the stage and
the surrounding design that accompanied both
halftime shows. In each case, the wide-angle shots
revealed a cross or X shape.
Orange
Bowl Halftime
Super Bowl Halftime
But
there was more justification for bringing the Orange
Bowl into all this. This was the theme of the color
orange that began to emerge last year, seemingly
beginning with the orange jumpsuit that stood out in
the shocking videos showing gruesome beheadings in
Iraq, most famously that of Nicholas
Berg. And then there was the 'Orange
Revolution' of the Ukraine presidential
election that closely coincided with the election in
the US last November. This year saw the orange alien
world of Saturn's moon Titan where the Huygens
probe landed
January 14, and then the enigmatic art project that
invaded NYC Central Park in February featuring a
massive 23-mile long orange 'Gates'.
 |
 |
It's
no coincidence in terms of symbolism that Saturn's
moon Titan is involved here, Saturn being the
planet/god of time and the leader of the Titans. The
combination of time and orange here has the effect
of evoking A
Clockwork Orange, a 1962 novel by
Anthony Burgess later made into a movie directed by
Stanley Kubrick of 2001: A Space Odyssey.
Why the allusion? First, the Kubrick/2001
connection... but that's for later. Second, the
storyline involves a form of mind control (aversion
therapy) which has become a key theme in the Super
Torch Ritual. We have, for example, the Wizard
of Oz symbolism that has much to do with
government MK-ULTRA-related mind-control
programs like the trauma-based conditioning
operation called Project Monarch.
The
third encoded 'signal' there would be... U2. Yes,
the Irish rock group. We're about to see that it is
by design that the 'hidden communication' seems to
prefer music/musicians as carriers of the
information at this time. Turns out, the Royal
Shakespeare Company's theatrical version of A
Clockwork Orange used songs composed by U2
(Bono & 'the Edge') especially for the
production. Now consider this: U2 performed at the
2002 Super Bowl halftime show and U2's new video for
their single All Because of You debuted
during halftime of the 2005 Orange Bowl - where the
second of 'the Simpsons' also performed. Almost
certainly by design, U2's music was featured
prominently at key points of the 2005 Super Bowl
broadcast.
 Why
U2? Oh, where to begin... Look at the art design of
U2's latest CD for instance - concentric circles. It
continues the spiral theme pushed at the Olympics
(closing ceremony). The Oz association that came
along with it was reinforced by the Damageplan/Columbus
shooting 'ritual' early December '04 and it was
exactly around that time that the first single off
U2's 'How To Dismantle an Atomic Bomb'
CD was topping
the pop music charts.
I've commented before about the 'atomic bomb' theme
that's ominously shared by the title of the U2 album
and the cover design of Damageplan's CD,
said to be in reference to atomic bombs. But it is
U2's music video
for the single Vertigo that really speaks to
us... in code.
In
it, the centerpiece is a big concentric circles in a
desert, on which U2 is shown performing their song.
The ground starts to shake violently and it gets
very windy, somehow causing visually-striking
streaks of black smoke to come out of each members
of the band.
The
violent movement of the earth (=> imbalance =>
vertigo) becomes significant when seen in the
context of the Sumatra catastrophe that came later
that month (December). The concentric circles
actually being a 'target' symbol, and that combined
with the notion of 'damage plan', we get the sense
that Sumatra was a carefully targeted event.
-
The
Sumatra quake (Dec. 26) came exactly 360 days
after New Year's Day - a number expressive of a
circle.
-
The
Sumatra quake came exactly one year after
another catastrophic quake, in Iran (Bam) -
corresponding to Earth's orbit around the Sun,
completing a full circle.
-
The
Sumatra quake epicenter can be pinpointed
using the meridional 'great circle'
going through Columbus and the equatorial great
circle (the only possible latitudinal great
circle). 'X marks the spot.'
-
The
'target' symbol in U2's video can also be
interpreted as the alchemical symbol
for gold.
-
The
name 'Sumatra' means 'Isle of Gold'.
Here
we also come back to 'orange' as, if split
into two words 'or' and 'ange', it would mean 'gold
angel/messenger' in French - as if to say that the
'gold' is the encoded 'message'. And of course I
have already talked a lot about how phi or
the Golden Ratio (1:1.618) is a vital
element in the time codes underlying the Super Torch
Ritual (see my previous posts). This directly
interacts with the fact that Venus is traditionally
and with good reason represented by the pentagram, a
symbol which encodes within its geometry the phi
ratio.
Now
recall the orange world of Titan and the prevalent
theme of music. Turns out, the Huygens probe sent
all the way to that moon of Saturn carried onboard a
CD recording of music - a 'fun' project dubbed 'MUSIC2TITAN'.
Its logo should strike you as undeniably familiar...
More
on U2 later, but at this point we have established
quite solidly, as far as symbology is concerned, the
coherence exhibited by the fabric of secret
communication surrounding the Orange Bowl and, even
more, the Super Bowl. There is of course much
more to all this, but already enough for the purpose
of this particular post. In this one I'd like to
focus more on the Super Bowl clues and the
significance of the Indy 500.
As
said at the beginning, the great car race in
Indianapolis will be held exactly 9 months after the
appearance of the big spiral - analogous to
concentric circles - at the closing of last year's
Athens Games. And it is my view that 'omen' aspect
of the 2005 Super Bowl, whose symbolism too can be
traced back to Athens as just demonstrated,
communicated much that has to do with Indy. It is
comparable to the way last year's Super
Bowl pointed ahead to the Olympics. And we already
know how that one turned out. The Games in Athens were
a treasure trove of 'prophetic clues'.
Indeed, I'm writing posts like this because
of the unnerving 'riddle of the sphinx' game
initiated and detected at the Olympics.
In
any case, what I thought was strange about Paul
McCartney's SB halftime performance was his song
selection - particularly the opening song, which was
'Drive My Car'. A song not special in anyway, not
well known, not that inspiring, and... well, it's
frankly a boring song. So why did Paul choose 'Drive
My Car' (I'm not implying McCartney's conscious
participation in the 'ritual') to open his set at
the big event, which was clearly not a place to be
experimental? That was an anomaly and anomaly
usually means opportunity in the game of symbology.
Here
is the beginning portion of the song lyrics:
Asked
a girl what she wanted to be
She said baby, can't you see
I wanna be famous, a star on the screen
But you can do something in between
Baby you can drive my car
Yes I'm gonna be a star
Baby you can drive my car
And baby I love you
So we
have here - a girl, a star, and driving a car. The
'star' reference is reinforced
by the shirt McCartney wore on stage which bore only
one symbol on it - a five-pointed star, or
the pentagram. The
symbol of Venus associated with the Golden Ratio.
But it's also the Pole Star (Polaris) not
only because it's a 'Paul Star' but also because the
name 'McCartney' means 'son of the bear' which gives
us Ursa Minor or the 'Little Bear' constellation to
which the Pole Star belongs. As viewed from Earth,
all the stars appear to circle around this star just
as Indy Cars do running on the circular course.
 Now
meet Danica
Patrick, a 23-year old rookie IndyCar driver
who is currently the sole female
participating in the series. The name 'Danica' means
'morning star', which is another name for Venus
or Lucifer the light bringer. If you take a look at
her race car, you'll see that the most prominent
symbol visible is a torch - highly
suggestive of the (Olympic) torch theme running
through our Super Torch Ritual.
So
here we have all the key ingredients including the
three elements suggested by 'Drive My Car' - i.e.
girl, star, and driving/car. Add to this the fact
that Danica is literally a 'rising star' who nearly
won the pole position (= #1 starting spot) in the
IndyCar race in Japan immediately preceding the Indy
500 where she led 32 laps. There was even a realistic
chance that she would get the pole position at
Indy (she came in fourth as determined on 'Pole
Day', last Saturday/Sunday).
Another
hidden implication behind 'Drive My Car' would be
its function as a clue hinting at the significance
of car commercials during the game. I don't want to
go deeply into this subject, but one of the
recurrent catch-phrases was Cadillac's '0
to 60 under 5 seconds'. As it happens, since
last August Danica has been doing a regularly
scheduled 60-second news segment on Spike TV called
'Zero To Sixty' which covers everything
automobile.
So
needless to say I'm now monitoring her and the Indy
500 in general closely. It's still difficult to
project a storyline but if Danica makes history by
becoming the first woman driver to win the race, and
it appears quite plausible, we'll have the birth of
a (morning) star which can be correlated with the
pregnancy time code stemming from the Venusian
Olympics 9 months ago. Her win would also
counterbalance the 'birth' of Pope Benedict XVII
last month which, as we've discussed here before,
transmitted the symbolic concept of imbalance.
This was first indicated by means of the 'Judgment
Day' time code, apparently suggesting that his
ultra-conservative and anti-female mentality goes
against the balance that the 'matrix' of reality now
seeks to achieve ('or else...'). In this context,
Danica Patrick's unprecedented triumph in men's
sport would certainly be a fitting way of offsetting
the excessive patriarchal push. She would
in a sense represent an 'anti-pope'. In this light
it's certainly appropriate that Danica's car # is
'16' to challenge Pope Benedict's own 'XVI' (16).
But
as always we should stay open to other storylines.
Perhaps, especially now that its ritualistic nature
has been brought to light, we're in for one of those
subtle and convoluted 'omen'-type signaling
sessions.
Now,
obviously through the notion of 'balancing', the
'Judgment Day' theme comes into play here. Just as
anticipated this was the biggest symbolic storyline
woven into the fabric of world events this spring.
But it was also coming alive via the presidential
elections in the US and Ukraine ('Orange
Revolution') last fall/winter - the ultimate
political 'judgment day'. The numeric value of
Election Day in the US (November 2), '112', has been
one of the key numbers found encoded in the
multi-leveled time code complex we have going for
the Super Torch Ritual. It is actually an alter ego
of '911' for two very good reasons: 1) in Europe/EU
the emergency #, which in the US is 911, is '112',
and 2) adding 112 days to 9/11 brings us to New
Year's Day (9/11 in the Coptic calendar is usually
the first day of the year).
 To
demonstrate the 'Judgment Day' concept attached to
'112' in the ritual system, we can try adding 112
days to Nov. 2, '04 (in effect adding 112 to '112').
This gives us Feb. 22, '05 - a date heavily used in
the 'Balanced Judgment Day Time Code' that's
inseparable from the idea of balance vs. imbalance
(see illustration right; see also this
entry).
And
then we have the following:
1)
12/08/04 + 112 (+1) = 03/31/05
2) 12/26/04 + 112 (+1) = 04/18/05
3) 01/01/05 + 112 (+1) = 04/24/05
The
'+1' adjustment is consistent with the usual '+/-1'
buffer zone that seems to be employed in the codes
frequently. In this case there is also the
additional factor of '113' being the reverse of
'311' which is yet another major, and original,
'Judgment Day' number backed
up by Terminator 3 (a film about
Judgment Day) and the Madrid train bombings on
'3/11' that was widely compared to 9/11.
#1
above is from the Damageplan/Columbus
shooting event (coinciding with
the Sun crossing the Galactic Meridian) to the death
of Terri
Shiavo whose near-death days in March closely
paralleled those of Pope John Paul II and it was
widely viewed as such. The high-profile death
coincided with a major planetary alignment in the
solar system and followed immediately in a day or
two by the passing of the Pope. It was also closely
preceded by the second deadly Sumatra quake three
days earlier (March 28).
#2 is
from the Sumatra quake/tsunami to the beginning of
the papal election which saw black smoke rising from
the chimney signaling unsuccessful voting sessions.
(The black smoke directly interacts with the 'black
wind' of U2's Vertigo video.)
#3 is
from New Year's Day to the official installation of
Pope Benedict XVI.
And
here is the 'kicker'... (pun intended): Add 112 days
to the Super Bowl day this year, which was February
6, and we get May 29 - the day of the
Indianapolis 500! So again, if nothing else, Indy
seems to have the function of a time marker and
chances are that it will produce significant clues
in some way that conform to the ongoing pattern.
'As
above, so below': Let me bring your attention to a
series of significant celestial configurations
coming up this May and June:
-
May
25 or so will have Venus crossing the
Galactic Meridian (GM) - a 'signature
configuration' of the Super Torch Ritual.
-
Several
days later Venus will reach the Galactic
Equator, which is the centerline of the Milky
Way, on ~June 3. This is made more
special by the coincidence of being accompanied
by the conjunction of the Sun and Mercury taking
place simultaneously. (Mercury's role in the STR
cannot be underestimated.)
-
On
~June 6 Mercury will be at the GM, which
is an echo of the 12/26/04 Sumatra
configuration. During this window of 6/6-7 we'll
also see a tight gathering of Mercury, the Sun,
and the (New) Moon.
-
On
the anniversary of last year's Venus Transit,
which would be June 8, the Sun will
again cross the GM. (Mercury crosses the
Galactic Equator June 11.)
-
Venus,
Mercury, and Saturn will be together around June
27.
-
Venus
and Mercury will be moving together from late
June through mid-July. This configuration
mirrors a similar planetary dance that began
around the time of the Sumatra 'Great Flood'.
So a
collection of key dates coming up, and it can easily
be inferred that we're now entering a pretty big
window capable of producing 'major shift' events.
It's
worth noting that orange, or 'or-ange', carries a
strong allusion to the combination of the Sun and
Mercury. 'Or', as we've already discussed, means
'gold', which in turn is symbolized by the 'circle
with a point at the center' pictogram. But the same
is also a traditional symbol of the Sun.
Gold and the Sun are in effect interchangeable - and
this is a major key to deciphering the puzzle.
'Ange' on the other hand denotes 'angel'/'messenger'
thus also Mercury, the Roman messenger god. 'Or-ange',
therefore, is 'Sun-Mercury'.
Check
this out:
-
The
Sun and Mercury were united around 12/9/05,
closely coinciding with the Damageplan
'ritual' event (12/8) and the Sun crossing the
GM.
-
The
two were reunited around 2/14/05 which
saw the Windsor Tower fire in Madrid, a major
event in the Super Torch Ritual, as well as the
beginning of the orange 'Gates' in
Central Park (Manhattan).
-
The
next meeting was also joined by Venus at the end
of March, making it even more special. It
saw Sumatra #2 (3/28), the death of Terri Shiavo
(3/31), and the death of the Pope (4/2).
-
The
next Sun-Mercury conjunction is June 3-4,
accompanied by Venus crossing the Galactic
Equator. This same date (June 4) is also yielded
by the '112' code, as adding 112 days to 2/12/05
(the beginning date of the NYC Orange Gates and
the Madrid fire) gives us June 4th.
So it
is around the beginning of June that seems to be
particularly intense in terms of pattern
manifestation. The Indy 500 should play a part in
this, though it probably represents just one piece
of 'damage plan' puzzle here.
Now,
I will reveal what is likely the 'main event' of
2005...
Let's
begin with this image, from U2's Vertigo
video:
Once
unlocked, the 'message' becomes painfully clear.
They key is the aforementioned gold-Sun
interchangeability. Both are denoted by the same
symbol - the very same 'circle and a dot in the
middle' configuration depicted in the Vertigo video.
Now combine this implication with the enigmatic
black smoke/winds. The Sun and wind. Get it?
What
we have here is, unmistakably, an allusion to the solar
wind! The same solar wind/flare that disturbed
the geomagnetic field of Earth just this Sunday.
This
geomagnetic storm came well after I had formulated
my 'solar wind' interpretation and I'm not exactly
happy about the timing because it took novelty out
of this information. But this was in my view just a
little precursor to what's about to hit our
planet... hard.
Let's
take a look at the Windsor Tower fire. It
coincided with the raising of the 'Orange Gates' in
Central Park and has been treated as something of an
'anchor' for the 'Judgment
Day Time Code' that was found to be driving
key events of the winter/spring period. As you can
see in the picture below, it was a major 'torch'
event visually. Its ritualistic significance was
reinforced through Prince Charles' wedding - a
highly significant development for the House of Windsor
- that was originally scheduled to take place April
8 before it was pushed back a day due to Pope JPII's
funeral taking place on that day, which 'just
happened' to be celestially marked by a solar
eclipse.
Clearly,
then, the term 'Windsor' had emerged as a
commonality linking up key 'ritual' events. Taking a
closer look at 'Windsor', we realize that it can be
seen as a combination of 'Winds' and 'or'. Following
the familiar equation of 'or = gold', we'd get
'winds gold'. Further, through the gold-Sun
interchangeability, we'd have 'winds sun', or 'sun
winds' - yes, 'solar wind' again.
The
Sun connection here is well supported by the
Pope-'Windsor' linkage established via April 8.
Well, first of all, the fact that there was a solar
eclipse that day is suggestive enough. But bringing
home the point was John Paul II being a pope dubbed
'of the Labor of the Sun' by the now-famous
prophetic motto of St.
Malachy. It needs to be realized that solar
flares are produced as a result of the Sun's
magnetic field becoming all tangled up or 'labored',
as in 'labor of the Sun'.
The
solar wind-pope connection also finds resonance in
the fact that the conclave for the election of the
next pope, beginning on April 18, was inevitably
associated with the imagery of a black smoke coming
out of the chimney to signal an unsuccessful
session. It was certainly evocative of the black
winds in U2's Vertigo video.
Let's
now go back to the Damageplan event
that is heavily intertwined with Vertigo. As
mentioned before, Damageplan is essentially
an updated version of Pantera, well known in
the heavy metal community worldwide. Aside from its
'Pan Terra' ('whole earth') insinuation which is a
can of worms we won't open here, Pantera brings to
mind 'Pandira',
father of Jesus (thus Jesus was sometimes called
'ben Pandira'/'son of Pandira'). Its Egyptian
version was 'Pa-ntr-ra', meaning 'the god Ra'
- Ra being a sun god.
The
death of the heavy-metal guitarist Dimebag Darrell
Abbott was analogous to the fall of a heavenly
stone, meteorite, or 'shooting star' - and Dimebag
was indeed a 'star' who was 'shot' by a deranged
fan. Meteorites are well known for often
containing iron or 'metal' as in 'heavy metal'. In
ancient Egypt the capstones of pyramids and
obelisks were, or traditionally viewed as, 'Benben
Stones', often thought to have been meteorites.
The Benben Stone was traditionally worshiped in
Heliopolis
- the 'City of the Sun' - and as such it was in
effect also a 'Sun Stone'. Its alter egos include
the 'All-Seeing Eye' infamously printed on the back
of the US dollar bill. And in a more stylized form
it is also seen on the state flag of Ohio, the
capital of which is Columbus where Dimebag - a
'metal star' - 'fell'.
The
Benben Stone was considered to be a form of 'seed'
and carried decidedly sexual connotations. It was
the 'seed stone' or 'foundation stone'. It seems not
accidental that 'ben' as in 'ben Pandira' has the
meaning of 'son'. The name 'benben' would therefore
carry the curious implication of 'son son', or
should that be 'sun sun'? Sounds familiar?
The
Benben Stone was for all intents and purposes a
'Genesis stone' - the original seed that, in the
form of a heavenly rock, came down from heaven. The
process is known as Panspermia. If you recall, this
exactly corresponds
with the main
theme of the opening ceremony of the Athens
Olympics. I have also noted last year that within
two weeks following the end of the Games the same
theme was reenacted with more realism. This was the
crash of NASA's Genesis
probe coming down from outer space, falling
hard into the ground of the Utah desert.
Utah,
of course, hosted the 2002 Winter Olympics in 2002,
which started on February 8, merely 5 days
after the Super Bowl that year. Who was the halftime
entertainer back then? None other than... U2!
You can't make this stuff up... As if that weren't
enough, the Olympic torch tower erected in Salt Lake
City was a DNA double-helix... the ultimate 'seed'.
And...
have I mentioned that 'U2' sounds like 'Utah'? It
does, doesn't it? :) It's almost humorous, but there
is actually something quite serious and highly
sophisticated going on under the surface - which we
won't go into in this post. (If you think this
symbology stuff is about being imprecise, you're
sadly mistaken.)
In
any case, the Genesis probe was coming back from the
Sun! Not only that, its mission was to
collect and bring back solar wind particles!
As the space capsule crashed into the earth, so did
the solar-wind samples carried onboard. In a sense,
this was the solar wind severely hitting our planet!
It
took place on September 8 - a day marked by a
special celestial alignment
(as viewed from Giza/Cairo) associated with the
Athens Games. Given the cosmic seeding (Panspermia)
storyline here, the 9-month pregnancy theme also
comes into play. And it's none other than the
anniversary of the Venus Transit, June 8 ('05), that
will mark the projected 'birth' date! The Transit
was the ultimate manifestation of the Venusian
'conception', and so the 'birth' from a secondary
conception event (Genesis) taking place exactly one
year later makes 6/8/05 a particularly special date
in the pattern.
It
was immediately clear to me that the Genesis crash
was a major 'ritual' event and as such I commented
in Stargate Cipher 2012: 'it seemed to carry
the message "if you don't get this, you just don't
get it"'. I also wrote:
...on
September 8 - the day marked by the
Venus-Saturn-Moon-Galactic Center-due east
alignment at Giza - came another 'in your face'
signature event.
I
highlighted 'in your face' here because... (cue
Twilight Zone music) of the following scene from the
2005 Super Bowl episode of The Simpsons
discussed earlier. See these images (thanks again to
'Bhang'):
A
pyramid... as Homer commented: 'Don't forget
showboating. That's the cornerstone of my pyramid
of success'. The 'cornerstone' is at the right
corner of Homer's pyramid but more esoterically
the cornerstone would correspond to its capstone,
the Benben/Genesis Stone. And there we have
'IN YOUR FACE' written in by Homer. What's more,
right above it is drawn... yes, the Sun. And
what's written inside the Sun? 'Crotch Grabbing'.
(I'm going with Bhang's comment here as I didn't
get to see this particular scene.) The sexual
nature of this Sun certainly reinforces the
emphasis on the Benben/Sun/Genesis Stone which as
already mentioned was in essence a stone of
sex/seeding.
So...
it begs the questions: Was the phrase 'in your
face' Homer gave to the 'Genesis stone' a 'wink
wink' gesture... to those familiar with this very
website you're'
now reading?
This obscure little place called Etemenanki?
Of course that sounds ridiculous. And yet there is
the remarkable fact that it was only on this
website that the idea of Sumatra being a modern
'Great Flood' - the Great Flood being the main
theme of the Simpsons episode - was
extensively discussed. Not only that, it was as
far as known only this website that had pointed
ahead to the Super Bowl halftime (Paul McCartney)
as a 'ritual window' that should be closely
monitored in this 'Great Flood' context.
Let
me note again that the emerging significance of
The Beatles was detected while I was looking into
the Damageplant 'ritual' in Columbus, an
event that came exactly 24 years after John Lennon
was similarly murdered. It was a 'ritual' that
came right before the Sumatra 'Flood'. I've noted
that the name 'Columbus' derives from Columba the
dove, specifically Noah's dove that he released
from the Ark at the end of the Great Flood. The
previous Super Bowl (2004) was held on the
anniversary of the disaster of the space shuttle
'Columbia' - another name coming from Columba.
Etc. etc.
Add
to all this the fact that I used the expression
'in your face' not once but twice in the
two paragraphs in Stargate Cipher 2012: Part 2
where I began to talk bout the Genesis
space probe, as you check below:
A
'message' indeed began to emerge with Hurricane
Frances, the second in the series, making landfall
on September 5 - just days after the end of the
Athens Games and just days before the Petros VII's
fall from the sky. Hurricane Frances, viewed as
'turning Frances', would become an 'in your
face' reference to the 'Tour de France'
theme! (The 'French Revolution' is also hinted
here but that's for another time.)
Just three days later on September 8 - the day
marked by the Venus-Saturn-Moon-Galactic
Center-due east alignment at Giza - came another 'in
your face' signature event.
[...]
The event was the crash landing of NASA's Genesis
probe returning from the Sun...
Cue
the Twilighit Zone music again... and I guess that's
enough on this particular issue. Just thought it was
worth mentioning. (Amusing, no?)
 Now,
as hinted in the excerpt above, the summer of the
Athens Olympics was also a summer of Florida
hurricanes. In an unprecedented development,
four major hurricanes struck Florida in 2004 in a
short period time. It was from Florida that
Genesis was launched in 2001 and it is in Florida
(Miami) that the Orange Bowl is held annually.
Further, the hurricanes and the Olympics definitely
interacted on a symbolic level. For starters there
was the 'spiral' connection. Hurricanes are spirals
of wind, after all. And the first of the Florida
hurricanes, 'Charley', made landfall on the opening
day of the Athens Games as if to make a point.
And
indeed there was an important point being made. This
is not difficult to decipher once you realize that
Florida is known as the 'Sunshine State'. So
hurricanes, or winds, striking Florida was
conceptually... 'Sunshine wind'... or, of course, solar
wind!
It's
getting harder and harder to deny that we are
detecting a coherent and redundant
'message' here. And this even goes for the ALTA web
bots data I've been bringing up in recent posts.
Here are a couple of snippets from the most recent
piece published at Half
Past Human (ALTA 605 Part 5, published
5/15/05), continuing on the theme of the coming
major collective 'tipping point' and the apparent relevance
of the Sun:
-
While
it would sort of be expected to find the short
term impact values rise disproportionately along
with the rise of so many tipping points, we
nonetheless have an impression that the scale
involved is more extreme than would be expected.
An impression only. Statistical analysis does
show a preponderance of immediacy values over
long term that is extreme in our experience, but
we have to also state that never before have
we encountered this situation of so many
entities engaging in tipping point behavior.
That so many are involved, exiting or rising
into tipping point *must* have an impact on
processing, however, we are not able to quantify
that impact now. Is our processing during such
an active tipping point period magnifying
effects? We can't say. [...]
-
A
curious note is the intermingling of cross links
through both Populace entities back to the Terra
entity where they terminate in a cluster of
internally cross linked references to the 'sun'.
Further we also find the word 'sun' as a
bespoke value within all of these attribute
sets. Within these we get images such as 'seeing
the change in the south' as well as 'sun at its
zenith, illumination of the destruction of
the past'. And such as 'maturing
situation precedes transformation'.
We
also recall the previous ALTA data mentioning 'sky
fire'...
Anyway,
the key message coming through generally concerns
the the winds from the Sun driven by energy
ultimately generated by the nuclear fusion
process taking place inside the star. This can
explain the 'atomic bomb' theme running through the
'ritual' events such as those involving Damageplan
and U2. But that's not to say that the theme doesn't
have more earthly implications, particularly the
situation involving Iran, which is clearly part of
the 'omen message' as well. It's, again, 'as above,
so below'.
The
significance of the 'wind' or 'air' can also justify
the prevalence of the music theme (Janet Jackson,
Damageplan, U2, Music2Titan, Simpson sisters, Paul
McCartney, etc.). Music is after all nothing but
harmonic and rhythmic vibration of the air.
And
we seem to detect further messages in the secret
communication from 'Enki' that are rather
unsettling. I will continue this in Part 2, but...
it appears we're looking at a 'pole shift' in
2005-2006. It's not necessarily clear or perhaps not
even 'decided' yet how literal its manifestation is
going to be, but the pattern or 'signal' is there.
Also,
have you heard of... 'chemtrails'?
Ah...
nothing like the fresh smell of poison in the air,
eh? Doh!
Get
ready to step into the looking glass... The fire of
Lucifer is contact.
To be
continued in Part 2...
| . |
|
Running
on empty... 8 donations in last 2 moths.
Without reader support, Etemenanki
is edging toward discontinuation this
year. 
|
Permalink
|
.
last
year's anniversary of the car crash was marked by a
key STR event featuring perhaps the most prominent
'torch carrier' figure, Schwarzenegger aka 'the
Olympian', who gave a widely watched speech at the
Republican National Convention in NYC (8/31). (Arnie
is also the Terminator character in the films about
'Judgment Day', 
in her Argent car becoming triumphant to offset the
male dominance represented by the other #16, Pope
Benedict. But now it also seems that her safety is
an issue. The fact that the word 'mortgage' means
'death pledge' is rather... ominous. And since her
name 'Danica' means 'morning star' she is also Venus
(= Lucifer) who is essentially interchangeable with
Mary Magdalene. And 'Magdalene' means 'tower' - the
very thing that was destroyed in the Madrid fire on
February 12-13 while taking place in the sky at the
time (~2/14) was the Sun-Mercury union...
